“108 — Walking Through Tokyo at the Turn of the Century” (https://www.econtact.ca/4_3/peebles.html)
by Sarah Peebles, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
2001 Update (https://www.econtact.ca/4_2/1.htm)
by Shannon Peet, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
25 Years of BEAST (https://www.econtact.ca/10_3/report_beast25.html) [Report]
by Annie Mahtani, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
2nd Sonic Arts Network Conference (https://www.econtact.ca/2_2/Conference.htm) [Report]
by Mathew Adkins, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
6 Questions au compositeur et vidéaste Pierre Paré-Blais (https://www.econtact.ca/15_2/austin_pare-blais.html) [Talk]
by Kevin Austin, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
6 Questions to Composer and Media Artist Joseph Hyde (https://www.econtact.ca/15_2/austin_hyde.html) [Talk]
by Kevin Austin, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
6 Questions to Composer and Video Artist Jean Piché (https://www.econtact.ca/15_2/austin_piche.html) [Talk]
by Kevin Austin, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
6 Questions to Composer Bruno Degazio (https://www.econtact.ca/13_4/austin_questions_degazio.html) [Talk]
by Kevin Austin, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
6 Questions to Composer Darren Copeland (https://www.econtact.ca/13_3/austin_questions_copeland.html) [Talk]
by Kevin Austin, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
6 Questions to Composer Freida Abtan (https://www.econtact.ca/15_2/austin_abtan.html) [Talk]
by Kevin Austin, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
6 Questions to Composer John Kamevaar (https://www.econtact.ca/13_3/austin_questions_kamevaar.html) [Talk]
by Kevin Austin, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
6 Questions to Composer John Plant (https://www.econtact.ca/13_3/austin_questions_plant.html) [Talk]
by Kevin Austin, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
6 Questions to Composer Steven Naylor (https://www.econtact.ca/14_3/austin_naylor.html) [Talk]
by Kevin Austin, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
6 Questions to Composer Steven Naylor (https://www.econtact.ca/13_3/austin_questions_naylor.html) [Talk]
by Kevin Austin, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
6 Questions to Composer / Media Artist Adam Basanta (https://www.econtact.ca/14_3/austin_basanta.html) [Talk]
by Kevin Austin, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
6 Questions to Composer / Sound Artist Susan Frykberg (https://www.econtact.ca/14_3/austin_frykberg.html) [Talk]
by Kevin Austin, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
6 Questions to Sound Artist Ian Jarvis (https://www.econtact.ca/15_2/austin_jarvis.html) [Talk]
by Kevin Austin, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
6 Questions to Turntablist Maria Chavez (https://www.econtact.ca/14_3/schick_chavez.html) [Talk]
by Ignaz Schick, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
60x60 Canada 2008–09 (https://www.econtact.ca/11_2/sonusgallery_tsabary.html) [Sonus Gallery]
by Eldad Tsabary, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
6 questions à Julien-Robert, compositeur (https://www.econtact.ca/15_4/austin_julienrobert.html) [Talk]
by Kevin Austin, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
6 questions à Maxime Corbeil-Perron, compositeur (https://www.econtact.ca/15_4/austin_corbeilperron.html) [Talk]
by Kevin Austin, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
6 Questions to Composer David Ogborn (https://www.econtact.ca/14_4/austin_ogborn.html) [Talk]
by Kevin Austin, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
6 Questions to Composer Emilie C. LeBel (https://www.econtact.ca/14_4/austin_lebel.html) [Talk]
by Kevin Austin, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
A Brief History of Biosignal-Driven Art: From biofeedback to biophysical performance (https://www.econtact.ca/14_2/ortiz_biofeedback.html)
by Miguel Ortiz, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
A Canadian Electroacoustician in Finland (https://www.econtact.ca/11_2/andean_finland.html)
by James Andean, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
A Continuum of Indeterminacy in Laptop Music (https://www.econtact.ca/11_4/neal_laptop.html)
by Adam Scott Neal, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
A Dialogue Between the Seen and the Heard: The use of sound as a sculptural material and sculpture as a sound instrument in “Cuboid” (https://www.econtact.ca/18_2/potts_cuboid.html)
by Ben Nigel Potts, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
A Document for the Future (https://www.econtact.ca/3_4/DocumentFuture.htm)
by Ian Chuprun, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
A General Introduction to JTTP and Some Personal Insights Into the Jury Process (https://www.econtact.ca/18_1/austin_jttp.html)
by Kevin Austin, in 18.1 — JTTP 2015: 16th Jeu de temps / Times Play (https://www.econtact.ca/18_1/index.html) (March 2016)
A Generalized Introduction to Modular Analogue Synthesis Concepts (https://www.econtact.ca/17_4/austin_synthesis.html)
by Kevin Austin, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
A Harald Bode Video Documentary (1972) (https://www.econtact.ca/13_4/palov_bode_video.html)
by Rebekkah Palov and Ralf Bode, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
A History of Spatial Music: Historical antecedents from Renaissance antiphony to strings in the wings (https://www.econtact.ca/7_4/zvonar_spatialmusic.html)
by Richard Zvonar, in 7.4 — Diffusion multi-canal 2 / Multi-Channel Diffusion 2 (https://www.econtact.ca/7_4/index.html) (May 2005)
À la recherche de l’effet Sharawadji (https://www.econtact.ca/1_4/Schryer_fr.html)
by Claude Schryer, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
A Particle System for Musical Composition (https://www.econtact.ca/15_2/degazio_particlesystem.html)
by Bruno Degazio, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
A Pedestrian’s Response to Corporate Abuse (https://www.econtact.ca/3_3/PedestriansResponse.htm)
by Sophia Male, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
A Phenomenological Time-Based Approach to Videomusic Composition (https://www.econtact.ca/11_4/abtan_videomusic.html)
by Freida Abtan, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
A Review and an Extension of Pseudo-Stereo for Multichannel Electroacoustic Compositions: Simple DIY ideas (https://www.econtact.ca/8_3/gauthier.html)
by Philippe-Aubert Gauthier, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
A Survey of Audio Coders for Electronic-Art Music (https://www.econtact.ca/9_4/tsabary.html)
by Eldad Tsabary, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
A Thing About Machines (https://www.econtact.ca/11_2/report_atam.html) [Report]
by Annette Kinsella, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
A Very Fine Needle (https://www.econtact.ca/14_2/stevens_needle.html)
by Joe Stevens, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
A Very Fractal Cat: Of Cats, performers, composers and programmers (https://www.econtact.ca/13_2/lopez-lezcano_fractal.html)
by Fernando López-Lezcano, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
A Voyage Around My Boilophone: A personal approach to playing and recording with a unique DIY electronic instrument (https://www.econtact.ca/18_3/ross_boilophone.html)
by Dave Ross, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
A Young Person’s Guide to Brainwave Music: Forty years of audio from the human EEG (https://www.econtact.ca/14_2/brouse_brainwavemusic.html)
by Andrew Brouse, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Aberdeen and Northeastern Scotland (https://www.econtact.ca/10_3/aberdeen_thompson.html) [Community Reports]
by Bill Thompson, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Abstraction et figuration dans ma musique (https://www.econtact.ca/11_2/dhomont_abstraction.html)
by Francis Dhomont, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Abstraction et figuration dans ma musique… et autres considérations (https://www.econtact.ca/16_3/dhomont_abstraction.html) [Keynote]
by Francis Dhomont, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
A Composition of the “Things Themselves”: Visual music in practice (https://www.econtact.ca/15_4/mcdonnell_visualcomposition.html)
by Maura McDonnell, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Acousmatic Music: Continuity or Rupture? (https://www.econtact.ca/11_4/vandegorne_keynote.html) [Keynote]
by Annette Vande Gorne, Trans. David Ogborn, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Addressing the Network: Performative strategies for playing “Apart” (https://www.econtact.ca/10_4/schroeder_apart.html)
by Franziska Schroeder and VA, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Affective Computing, Biofeedback and Psychophysiology as New Ways for Interactive Music Composition and Performance (https://www.econtact.ca/16_3/vermeulen_affectivecomputing.html)
by Valery Vermeulen, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Åke Parmerud à Rien à voir (https://www.econtact.ca/6_2/dufresne_parmerud.html) [Rapport]
by Pierre-Olivier Dufresne, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
Alexandre Bellenger (https://www.econtact.ca/14_3/bellenger_gallery.html) [Gallery]
by Alexandre Bellenger, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Algorithm, Performance and Speculative Synthesis in the Context of “Spheroid” (https://www.econtact.ca/20_2/nystrom_spheroid.html)
by Erik Nyström, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
Allusion and Timbre: A Theory of implicit reference, emotion and familiarity bias in contemporary music (https://www.econtact.ca/18_4/martin_familiaritybias.html)
by Jonathan D. Martin, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Amanda Stewart — I/T Selected Poems (1998) (https://www.econtact.ca/3_2/SelectedPoems.htm) [CD]
by Warren Burt, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Ambient Sound and Resonating Spaces (https://www.econtact.ca/5_3/godman_ambient.html)
by Rob Godman, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
AMUSE-ME: A Portable device to transform electromyographic signals into music (https://www.econtact.ca/14_2/cescon_amuseme.html)
by Corrado Cescon, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
An Acousmatic Experience: Thoughts, reflections and comments on the 1999 Australasian Computer Music Association conference “Imaginary Space” (https://www.econtact.ca/3_2/AcousmaticExperience.htm)
by Gordon Monro, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
An Agent Approach to Working With Modular Synths (https://www.econtact.ca/17_4/spicer_agents.html)
by Michael Spicer, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
An Analysis of Jonathan Harvey’s “Mortuos Plango, Vivos Voco” (https://www.econtact.ca/9_2/dirks.html)
by Patricia Lynn Dirks, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
An Approach to Compositional Trends in Latin America (https://www.econtact.ca/2_1/Trends.htm)
by Coriún Aharonián, in 2.1 — Amérique latine / Latin America (https://www.econtact.ca/2_1/index.html) (1999)
An Artist’s Approach to the Modular Synthesizer in Experimental Electronic Music Composition and Performance (https://www.econtact.ca/17_4/bruno_modularsynth.html)
by Chelsea Bruno, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
An Artist’s Reading of the New Funding Model Implemented by the Canada Council for the Arts in 2017 (https://www.econtact.ca/19_3/chippewa_CCA-newfundingmodel.html)
by jef chippewa, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
An Artistic Genealogy of Hugh Le Caine 1939–1989 (https://www.econtact.ca/17_2/chippewa_lecaine.html)
by jef chippewa, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
An Australian Electroacoustic Music Concert in Montreal: EuCuE Series XVIII (https://www.econtact.ca/3_2/AustralianUQ.htm)
by Garth Paine, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
An Electroacoustic Studio of One’s Own (https://www.econtact.ca/1_1/trudel_studio.html)
by Pascale Trudel, Trans. jef chippewa (1998, 2022), in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
An Evening of the Voice on Tape (ÉuCuE XVI.11) (https://www.econtact.ca/1_3/Kevin.html)
by Kevin Austin, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
An Evening with Sound and Radio Artist Christian Calon (https://www.econtact.ca/6_2/abtan_calon.html) [Report]
by Freida Abtan, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
An Extremely Brief History of Spatial Music in the 20th Century (https://www.econtact.ca/7_4/zvonar_spatialmusic-short.html)
by Richard Zvonar, in 7.4 — Diffusion multi-canal 2 / Multi-Channel Diffusion 2 (https://www.econtact.ca/7_4/index.html) (May 2005)
An Innovative Opportunity (https://www.econtact.ca/13_2/vickers_innovative.html)
by Catherine Vickers, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
An Introduction to a Second Year Electroacoustic Studies Core Analysis Course (https://www.econtact.ca/8_4/austin.html)
by Kevin Austin, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
An Introduction to Acoustic Ecology (https://www.econtact.ca/5_3/wrightson_acousticecology.html)
by Kendall Wrightson, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
An Introduction To Electroacoustic Music Course, or “How to Compose Your First EA Work” (https://www.econtact.ca/8_4/eigenfeldt.html)
by Arne Eigenfeldt, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
An Introduction to the Foundations, the Technologies and the Potential Applications of the Acoustic Field Synthesis for Audio Spatialization on Loudspeaker Arrays [pdf] (https://www.econtact.ca/7_2/gauthier-etal_wavefieldsynthesis.pdf)
by Philippe-Aubert Gauthier, Alain Berry and Wieslaw Woszczyk, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
An Overview of Score and Performance in Electroacoustic Music (https://www.econtact.ca/10_4/pasoulas_score.html)
by Aki Pasoulas, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Analog Zombies or Retro Nostalgia?: The Second Life of cassette recorders as musical instruments (https://www.econtact.ca/13_2/wenk_cassetterecorders.html)
by Thomas Wenk, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Analysis of Christian Calon’s “The Standing Man” (https://www.econtact.ca/16_3/zelli_calon.html)
by Bijan Zelli, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Analysis of Daniel Feist’s “Diptych: Auxferd Nightburr’d November 2 a.m.; Our Child” (https://www.econtact.ca/6_4/Feist.html)
by Andrew McCallum and Adam O’Callaghan, in 6.4 — Analyse électroacoustique / Analyses of Electroacoustics (https://www.econtact.ca/6_4/index.html) (2003–04)
Analytical Methods of Electroacoustic Music (Mary Simoni) (https://www.econtact.ca/8_2/reviews.html#simoni) [Book]
by Mary Simoni, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Andrew Brouse (https://www.econtact.ca/14_2/brouse_gallery.html) [Gallery]
by Andrew Brouse, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Anne LeBaron — The Musical Realism of Anne LeBaron (1995) : Les accents du sud d’Anne LeBaron (https://www.econtact.ca/1_1/mccartney_lebaron_fr.html) [CD]
by Andra McCartney, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Anne LeBaron — The Musical Realism of Anne LeBaron (1995): … Salt and Honeybees…: … Salt and Honeybees… (https://www.econtact.ca/1_1/mccartney_lebaron.html) [CD]
by Andra McCartney, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Annea Lockwood — Breaking the Surface (1999) (https://www.econtact.ca/3_2/BreakingSurface.htm) [CD]
by Warren Burt, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Aperçu du genre électroacoustique au Québec (https://www.econtact.ca/3_4/ApercuElectroacoustique.htm)
by François Guérin, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
A Personal Approach to Subversion (https://www.econtact.ca/16_4/maubert_subversion.html)
by Antony Maubert, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Appropriate Technology: Artificial products, mediation and streaming media (https://www.econtact.ca/2_3/Appropriate.htm)
by Eugene Thacker, in 2.3 — Radiophonique / Radiophonic (https://www.econtact.ca/2_3/index.html) (1999)
A Practical Guide to Diffusion (https://www.econtact.ca/2_4/pracdiff.htm)
by Chris Rolfe, in 2.4 — Diffusion multicanal 1 / Multi-Channel Diffusion 1 (https://www.econtact.ca/2_4/index.html) (1999)
Archivage d’« Obsessed Again… » de Keith Hamel : InterPARES 2, Rapport d’étude de cas 13 (https://www.econtact.ca/10_x/amort_obsessed_fr.html)
by Scott Amort, Keith Hamel, Jesse Read, John B. Roederand David Litke, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Ardour and Ambisonics: A FLOSS approach to the next generation of sound spatialisation (https://www.econtact.ca/11_3/nettingsmeier_ambisonics.html)
by Jörn Nettingsmeier, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Ardour et al., or Free and Easy Laptop Pro Audio: An Essay Perspective from a desperate working mother composer (https://www.econtact.ca/11_3/hinkle_turner_ardour.html)
by Elizabeth Hinkle-Turner, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
As We May Network: Shifting sound and media art practices (https://www.econtact.ca/9_2/makela.html)
by Helke Tapio Mäkelä, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Aspects of Sahnsi and Polos in Balinese Gamelan Instruments (https://www.econtact.ca/10_3/hearon_troyer_gamelan.html)
by James C. Hearon and Akita Van Troyer, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Atau Tanaka (https://www.econtact.ca/14_2/tanaka_gallery.html) [Gallery]
by Atau Tanaka, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Au delà du sexe et de la technologie : Les tendances du genre (https://www.econtact.ca/8_2/Piche.html)
by Claire Piché, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Audio Culture: Readings in Modern Music (Christoph Cox and Daniel Warner, Eds.) (https://www.econtact.ca/8_4/delaurenti.html) [Book]
by Christopher DeLaurenti, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Audio-Visceral Art: Sound waves and light waves in phase (https://www.econtact.ca/19_2/zareei-murphy_audiovisceral.html)
by Mo H. Zareei and Jim Murphy, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Audiovisual Art: Perspectives of an indivisible entity (https://www.econtact.ca/15_4/roblesangel_audiovisual.html)
by Claudia Robles-Angel, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Audiovisual Coherence and Physical Presence: I am there, therefore I am [?] (https://www.econtact.ca/18_2/harris_audiovisualcoherence.html)
by Louise Harris, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Aural Training for Electroacoustics at Concordia University (https://www.econtact.ca/11_2/tsabary_training.html)
by Eldad Tsabary, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
AV — Music and Video (https://www.econtact.ca/13_2/beil_AV.html)
by Michael Beil, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Awkward Ecologies: Sound-based music (https://www.econtact.ca/13_3/mckinnon_ecologies.html)
by Dugal McKinnon, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Back to the Future: On misunderstanding modular synthesizers (https://www.econtact.ca/17_4/scott_misunderstanding.html)
by Richard Scott, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Balises perceptuelles (https://www.econtact.ca/9_3/balises.html)
by R. Dominique Bassal, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Ballade Orale (https://www.econtact.ca/8_2/Kennedy.html)
by Kathy Kennedy, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Bar Atlantis (https://www.econtact.ca/2_2/Atlantis.htm)
by Tom Wallace, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
Basic Electricity: An appeal for a greater understanding of rudimentary modular functions (https://www.econtact.ca/17_4/navs_basicelectricity.html)
by Nawroz Abbany, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Bass Drum, Saxophone & Laptop: Real-time psychedelic performance software (https://www.econtact.ca/12_4/weinel_psychedelic.html)
by Jonathan Weinel, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Beating the Heavenly Drum: Easy Qigong for ear relief (https://www.econtact.ca/9_4/saario.html)
by Antti Sakari Saario, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Bebe Barron (1925–2008) (https://www.econtact.ca/10_3/memoriam_barron_schrader.html) [In Memoriam]
by Barry Schrader, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Bebe Barron (1925–2008) (https://www.econtact.ca/10_3/memoriam_barron.html) [In Memoriam]
by VA, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Beckmesser revisited? (https://www.econtact.ca/8_4/dobson.html)
by Richard Dobson, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Between “Ludic Play” and “Performative Involvement”: Performance practice in gamified audiovisual multimedia artworks (https://www.econtact.ca/20_2/lueneburg_gamifiedmultimedia.html)
by Barbara Lüneburg, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
Between the Two: A Re-address of the listener in situated musical practice (https://www.econtact.ca/15_2/peuquet_listener.html)
by Sean Peuquet, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Billy Roisz (https://www.econtact.ca/14_3/roisz_gallery.html) [Gallery]
by Billy Roisz, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Bird, Monk, Train: Three approaches to a solar sounder workshop (https://www.econtact.ca/18_3/blasser_solarsounder.html)
by Peter Blasser, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Bode’s Melodium and Melochord (https://www.econtact.ca/13_4/rhea_bode_melodium.html)
by Thomas L. Rhea, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Bodily Listening (https://www.econtact.ca/13_3/morita_bodily.html)
by Satoshi Morita, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Boîte noire (2015) (https://www.econtact.ca/19_2/messier_boitenoire.html) [Gallery]
by Martin Messier, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Born Under a Bad Star: An Analysis of abstract loop-based composition through Aaron Funk’s “Szerencsétlen” (https://www.econtact.ca/12_4/britton_loop.html)
by Eliott Britton, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Boundaries and Definitions: The SoundAsArt Conference in Aberdeen Scotland (24–26 November, 2006) (https://www.econtact.ca/9_2/wilson.html) [Review]
by Scott David Wilson, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Brain Control, EyeHarp and Instruments in the Phonos Series (https://www.econtact.ca/14_3/ramirez-lewin_phonos.html) [Report]
by Rafael Ramírez and Andrés Lewin-Richter, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Brief Thoughts on using Live Electronics: The Inside-out Piano and touring (https://www.econtact.ca/13_2/nicolls_electronics.html)
by Sarah Nicolls, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Bringing Composed Activism (Back) into the Soundscape (https://www.econtact.ca/10_3/lankford_activism.html)
by Elsa M. Lankford, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Butterfly Installation Instrument (https://www.econtact.ca/7_2/austin_butterfly.html)
by Kevin Austin, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
Carte Blanche : Associations Libres — Gilles Gobeil and René Lussier (https://www.econtact.ca/6_2/shedletzky_gobeil-lussier.html) [Report]
by Jonathan L. Shedletzky, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
CEC 25th Anniversary Tour: JTTP 2011 — Jeu de temps / Times Play (https://www.econtact.ca/15_3/jttp2011.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour in Calgary: University of Calgary Music Department (https://www.econtact.ca/15_3/calgary.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour in Edmonton: Sea of Sound Festival 2011 (https://www.econtact.ca/15_3/edmonton.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour in Hamilton: McMaster University Communications Studies and Multimedia Department (https://www.econtact.ca/15_3/hamilton.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour in Montréal: Conservatoire de musique de Montréal (https://www.econtact.ca/15_3/conservatoire.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour in St. John’s: Memorial University School of Music (https://www.econtact.ca/15_3/stjohns.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour in Toronto: 10th Annual SOUNDplay Festival (NAISA) + OCAD (https://www.econtact.ca/15_3/toronto.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour in Vancouver: Simon Fraser University Department of Communications (https://www.econtact.ca/15_3/vancouver.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour in Victoria: University of Victoria Music Department (https://www.econtact.ca/15_3/victoria.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour in Winnipeg: Desautels Faculty of Music (University of Manitoba) and Studio FLAT (https://www.econtact.ca/15_3/winnipeg.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC 25th Anniversary Tour Project Launch in Montréal: Concordia University Music Department (https://www.econtact.ca/15_3/concordia.html)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CEC Follow-up Letter to the Contemporary Music Section (https://www.econtact.ca/4_2/mountain2.htm)
by Rosemary S. Mountain, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
CEC@25 Photo Album on the CEC’s Facebook Page (https://facebook.com/media/set/?set=a.10152070891641281.1073741835.178176036280&type=3)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
CECG/GEC and ÉuCuE (https://www.econtact.ca/10_x/activities_eucue.html) [Activities in Canada]
by CEC, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Center for Contemporary Music Archives: Mills College in Oakland, California (https://www.econtact.ca/10_x/archive_ccm.html)
by Maggi Payne, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Centro Mexicano para la Música y Artes Sonoras (CMMAS): The dilemma of Continuance in Mexico (Morelia, Mexico) (https://www.econtact.ca/12_4/cmmas_sigal.html) [Institutions]
by Rodrigo Sigal, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Christopher K. Koenigsberg — Brains (1994) (https://www.econtact.ca/1_2/koenisgbergCD.html) [CD]
by Jean Routhier, in 1.2 — SEAMUS: Society for Electro-Acoustic Music in the United States (https://www.econtact.ca/1_2/index.html) (1998)
Cinema, Gramophone, Radio: A quiet history (https://www.econtact.ca/11_2/stankievech_communications.html)
by Charles Stankievech, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Collection de musique électroacoustique latino-américaine : La Fondation Daniel Langlois pour l’art, la science et la technologie à Montréal (https://www.econtact.ca/10_x/archive_latinamerica_fr.html)
by Ricardo Dal Farra, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Columbia-Princeton Electronic Music Center 1961–1973 (1998) (https://www.econtact.ca/3_4/CPEMC.htm) [CD]
by Warren Burt, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
Combinatorics, Probabilities and Personal Big Data in the Sound Installation “P(N,R) = N!/(N-R)!” (https://www.econtact.ca/20_2/gauthier-stpierre_combinatorics.html)
by Philippe-Aubert Gauthier and Tanja St-Pierre, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
Common Visionaries: Glenn Gould, Jean Le Moyne and Pierre Teilhard de Chardin (https://www.econtact.ca/7_3/mcfarlane_visionaries.html)
by Matthew McFarlane, in 7.3 — Grandes figures canadiennes 1 / Canadian Figures 1 (https://www.econtact.ca/7_3/index.html) (March 2005)
Communication Studies at Concordia University (https://www.econtact.ca/5_2/communication.html)
by VA, in 5.2 — Studios électroacoustiques au Canada / Canadian Electroacoustic Studios (https://www.econtact.ca/5_2/index.html) (2002–03)
Composers Working in or from the Canadian Prairies Region (https://www.econtact.ca/9_2/ogborn.html) [Sonus Gallery]
by David Ogborn, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Composing with Hugh Le Caine’s Fabulous Inventions in the University of Toronto’s Studio C, circa 1969 (https://www.econtact.ca/17_2/henninger_lecaine.html)
by Richard Henninger, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Composition as “Machine to Think With”: Aspects of narrative within electroacoustic music (https://www.econtact.ca/11_4/kilpatrick_narrative.html)
by Stephen Kilpatrick, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Composition gestuelle (https://www.econtact.ca/1_2/Wyatt_fr.html)
by Scott A. Wyatt, Trans. Yves Gigon, in 1.2 — SEAMUS: Society for Electro-Acoustic Music in the United States (https://www.econtact.ca/1_2/index.html) (1998)
Composition Studies at Wilfrid Laurier University (https://www.econtact.ca/5_2/wilfrid_laurier.html)
by Richard C. Windeyer, in 5.2 — Studios électroacoustiques au Canada / Canadian Electroacoustic Studios (https://www.econtact.ca/5_2/index.html) (2002–03)
Composition vs. Documentation (https://www.econtact.ca/11_2/park_composition.html)
by Tae Hong Park, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Composition, Electro-Acoustic Research and Performance (CEARP) at the University of Western Ontario (https://www.econtact.ca/5_2/CEARP.html)
by Jason Stanford, in 5.2 — Studios électroacoustiques au Canada / Canadian Electroacoustic Studios (https://www.econtact.ca/5_2/index.html) (2002–03)
Compositional Applications for Binaural Beating in Timbre Modulation (https://www.econtact.ca/18_4/connolly_binaural.html)
by Brian Connolly, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Compositional Strategies for Point-Source Spatialization (https://www.econtact.ca/8_3/burns.html)
by Christopher Burns, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Compositions by alcides lanza (https://www.econtact.ca/7_3/index.html#lanza)
by CEC, in 7.3 — Grandes figures canadiennes 1 / Canadian Figures 1 (https://www.econtact.ca/7_3/index.html) (March 2005)
Compositions by Hugh Le Caine (https://www.econtact.ca/7_3/index.html#lecaine)
by CEC, in 7.3 — Grandes figures canadiennes 1 / Canadian Figures 1 (https://www.econtact.ca/7_3/index.html) (March 2005)
Con-ceptual (https://www.econtact.ca/21_2/nilson_con-ceptual.html)
by Nick Collins, in 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices / Dématérialisation de l’objet sonore : Approches conceptuelles des pratiques artistiques centrées sur le son (https://www.econtact.ca/21_2/index.html) (July 2023)
Concordia Archival Project (https://www.econtact.ca/10_x/archive_concordia.html)
by jef chippewa and Yves Gigon, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Concordia Archival Project (CAP), eLearning: IntroductionModule 1: The Collection within Electroacoustic HistoryModule 2: Guided Listening Tour of the CollectionModule 3: The Archiving Process for the CollectionPedagogical Activities (https://cec.sonus.ca/education/archive/elearning/introduction/index_en.html)
by CEC, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Concordia Archival Project (CAP), eLearning: Module 1. The Collection within Electroacoustic History (https://cec.sonus.ca/education/archive/elearning/module1/index_en.html)
by CEC, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Concordia Archival Project (CAP), eLearning: Module 2. Guided Listening Tour of the Collection (https://cec.sonus.ca/education/archive/elearning/module2/index_en.html)
by CEC, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Concordia Archival Project (CAP), eLearning: Module 3. The Archiving Process for the Collection (https://cec.sonus.ca/education/archive/elearning/module3/index_en.html)
by R. Dominique Bassal, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Concordia Archival Project (CAP), eLearning: Pedagogical Activities (https://cec.sonus.ca/education/archive/elearning/module_act/index_en.html)
by CEC, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Concordia University (Montréal) (https://www.econtact.ca/11_2/concordia_austin.html) [Institutions]
by Kevin Austin, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
condemned_bulbes (2002), de Alexandre Burton, Jimmy Lakatos et Julien Roy (https://www.econtact.ca/19_2/burton_bulbes.html) [Galerie]
by Alexandre Burton, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Conditioning Compositional Choice: Theoretical imperatives and a selection algorithm using converging value sets (https://www.econtact.ca/18_4/peuquet_compositionalchoice.html)
by Sean Peuquet, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Conservatoire de musique de Montréal (https://www.econtact.ca/5_2/conservatoire.htm)
by VA, in 5.2 — Studios électroacoustiques au Canada / Canadian Electroacoustic Studios (https://www.econtact.ca/5_2/index.html) (2002–03)
Considerations on a Workshop on Modular Synthesis for Audio Arts (https://www.econtact.ca/17_4/gauthier-claude_modularworkshop.html)
by Philippe-Aubert Gauthier and Stéphane Claude, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Considering Interaction in Live Coding through a Pragmatic Aesthetic Theory (https://www.econtact.ca/16_2/bell_livecoding.html)
by Renick Bell, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Contemporary Problems, Interventions and Results (https://www.econtact.ca/9_3/probleme1_e.html)
by R. Dominique Bassal, Trans. jef chippewa, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Conversation with alcides lanza, Argentinian-Canadian Composer: Parallel developments at the Instituto Torcuato di Tella and the Columbia-Princeton Electronic Music Center (https://www.econtact.ca/15_4/gluck_lanza.html)
by Bob Gluck, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Conversation with Andrés Lewin-Richter, Spanish Composer: From “doing the dirty jobs” to electronic music composer (https://www.econtact.ca/16_4/gluck_lewinrichter.html)
by Bob Gluck, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Conversation with Dajuin Yao, Chinese Composer: A multi-faceted, concrete art (https://www.econtact.ca/16_2/gluck_yao.html)
by Bob Gluck, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Conversation with Dariush Dolat-Shahi: An eclectic Iranian-American composer and artist (https://www.econtact.ca/15_2/gluck_dolat-shahi.html)
by Bob Gluck, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Conversation with Edgar Valcárcel, Peruvian Composer: Touching sound, like a sculpture (https://www.econtact.ca/15_4/gluck_valcarcel.html)
by Bob Gluck, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Conversation with Eric Salzman, Music Theatre Composer and Producer: WBAI Free Music Store and dark, dark nights at the Electric Circus (https://www.econtact.ca/18_3/gluck_salzman.html)
by Bob Gluck, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Conversation with Folkmar Hein (https://www.econtact.ca/10_2/HeinFo_Palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Conversation with Gheorghe Costinescu, Romanian-American Composer: Analogue synthesizers, phonetics and the human voice (https://www.econtact.ca/16_4/gluck_costinescu.html)
by Bob Gluck, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Conversation with Jonty Harrison (https://www.econtact.ca/10_2/HarrisonJo_Palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Conversation with Josef Tal, Israeli Composer: From “enfant terrible” to elder statesman (https://www.econtact.ca/15_2/gluck-dubnov_tal.html)
by Bob Gluck and Shlomo Dubnov, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Conversation with Lawrence Casserley (https://www.econtact.ca/10_2/CasserleyLa_Palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Conversation with Luc Ferrari (https://www.econtact.ca/10_2/FerrariLu_Palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Conversation with Marco Donnarumma, Claudia Robles and Peter Kirn: Performing biological bodies at Body Controlled #4 “Bio Interfacing” (https://www.econtact.ca/14_2/lopes_bc4-interview.html)
by Pedro Lopes and jef chippewa, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Conversation with Nuria Schoenberg Nono (https://www.econtact.ca/10_2/SchoenbergNono_Palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Conversation with Pete Kellock, Zul Mahmod and Mark Wong: Sound art in Singapore (https://www.econtact.ca/16_2/lindborg_singapore.html) [Community Reports]
by PerMagnus Lindborg, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Conversation with Three Canadian Live Coders: Muck in and find your own way to be part of it (https://www.econtact.ca/21_1/wilson-etal_conversation.html)
by Scott David Wilson, Norah Lorway and David Ogborn, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
Conversation with Vinko Globokar (https://www.econtact.ca/10_2/GlobokarVi_Palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Conversation with Xiaofu Zhang, Chinese Composer: The “Oriental element” in Chinese electroacoustic works (https://www.econtact.ca/16_2/gluck_zhang.html)
by Bob Gluck, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Conversations at the “Crack o’ Dawn” (https://www.econtact.ca/12_2/interviews_golden.html)
by Barbara Golden, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Conversations with Alfredo Del Mónaco and Sergio Cervetti, Venezuelan and Uruguayan Composers: In the days before “plug and play”… (https://www.econtact.ca/15_4/gluck_delmonaco-cervetti.html)
by Bob Gluck, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Conversations with Alireza Mashayekhi, Iranian Composer: A new east-west synthesis (https://www.econtact.ca/14_4/gluck_mashayekhi.html)
by Bob Gluck, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Conversations with Post World War II Pioneers of Electronic Music (Norma Beecroft) (https://www.econtact.ca/18_2/ocallaghan_beecroft.html) [Book]
by James O’Callaghan, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
“Conversations” with Kevin (https://www.econtact.ca/10_3/schrader_conversations.html)
by Barry Schrader, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Copyright (https://www.econtact.ca/16_4/dieb13_copyriot.html)
by Dieter Kovačič, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
“Cor + Som”: Filling an Alentejo castle with colour and sound (https://www.econtact.ca/19_2/sherk_cor-som.html)
by Scott Sherk, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
“Costumes for Cyborgs_sound”: New body experience in sound and movement (https://www.econtact.ca/18_2/colpittscampbell_costumes.html)
by Izzie Colpitts-Campbell, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Cream Test Centrifuge (https://www.econtact.ca/6_2/gratton_centrifuge.html) [Rapport]
by Charlaine Gratton, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
Creating “Orbit, a Scalable Laptop Composition” (https://www.econtact.ca/15_2/jarvis_orbit.html)
by Ian Jarvis, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Creating an Autopoietic Improvisation Environment Using Modular Synthesis (https://www.econtact.ca/17_4/parmar_improvisation.html)
by Robin Parmar, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Cross-Media Transcription as Composition (https://www.econtact.ca/18_2/ocallaghan_crossmedia.html)
by James O’Callaghan, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
CrossTalk: A Reflection on the development of an interactive performance (https://www.econtact.ca/16_3/palumbo_crosstalk.html)
by Michael Palumbo, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Darrin Verhagen — P3 (1998) (https://www.econtact.ca/3_2/P3.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
David Tolley — Passing Miniatures (https://www.econtact.ca/3_2/PassingMiniatures.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
Dead Lion, or, The Musical Oscilloscope: A Diegetic approach to synthesis and feedback (https://www.econtact.ca/19_2/fishkin_oscilloscope.html)
by Daniel Fishkin, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Deep Wireless 2002, A Celebration of Radio Art: Artist biographies (https://www.econtact.ca/5_3/deepwireless2002_bios.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Deep Wireless 2002, A Celebration of Radio Art: Program notes (https://www.econtact.ca/5_3/deepwireless2002_prognotes.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Deep Wireless 2002, A Celebration of Radio Art: Radio programs (https://www.econtact.ca/5_3/deepwireless2002_radio.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Defining the Dominance Axis of the 3D Emotional Model for Expressive Human Audio Emotion (https://www.econtact.ca/16_2/lui_emotion.html)
by Simon Lui, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Design and Appropriation in Open Source Computer Musical Instruments: A Case study of the Silent Drum (https://www.econtact.ca/18_3/oliver_silentdrum.html)
by Jaime Oliver La Rosa, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Designing and Playing the Strophonion: Extending vocal art performance using a custom digital musical instrument (https://www.econtact.ca/18_3/nowitz_strophonion.html)
by Alex Nowitz, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Designing Instruments for Electronic Music (https://www.econtact.ca/17_4/hordijk_design.html)
by Rob Hordijk, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Diegesis as a Semantic Paradigm for Electronic Music (https://www.econtact.ca/15_2/camci_diegesis.html)
by Anıl Çamcı, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Diffusion: Theories and practices, with particular reference to the BEAST system (https://www.econtact.ca/2_4/Beast.htm)
by Jonty Harrison, in 2.4 — Diffusion multicanal 1 / Multi-Channel Diffusion 1 (https://www.econtact.ca/2_4/index.html) (1999)
Diffusion électroacoustique sur Systèmes « multi Haut-parleurs » (https://www.econtact.ca/7_2/gauthier_diffusion.html)
by Philippe-Aubert Gauthier, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
Digitized Direct Animation: Creating materials for electroacoustic visual music using 8 mm film (https://www.econtact.ca/15_4/weinel-cunningham_directanimation.html)
by Jonathan Weinel and Stuart Cunningham, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Directory of Canadian and International Laptop Ensembles and Orchestras Active 1995–2022 (https://www.econtact.ca/21_1/woollard-chippewa_laptop-directory.html)
by Jamie Woollard and jef chippewa, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
DISContact! III: CD (https://cec.sonus.ca/DISContact_III/index.html)
by CEC, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
DISContact! III: Soumissions / Submissions (https://www.econtact.ca/5_4/DIII_sub.html)
by Ian Chuprun, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Discussion with Douglas Henderson (https://www.econtact.ca/10_2/HendersonDo_Gertich.html)
by Frank Gertich, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
DIY Instruments and White Label Releases (https://www.econtact.ca/18_3/patel_whitelabel.html)
by Amit D. Patel, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Documentation and Publication of Electroacoustic Compositions at NEAR (https://www.econtact.ca/10_x/bosma_extendedscore.html)
by Hannah Bosma, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Documentation et publication de compositions électroacoustiques au NEAR (https://www.econtact.ca/10_x/bosma_extendedscore_fr.html)
by Hannah Bosma, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Domestic Appliances Project #1 (https://www.econtact.ca/12_3/koutsomichalis_domestic.html)
by Marinos Koutsomichalis, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Don’t Destroy The Archives! (https://www.econtact.ca/10_x/gerzon_archive.html)
by Michael Gerzon, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Doodling in the Posthuman Corpus: Wherefore scoring in the minds of machines? (https://www.econtact.ca/19_3/horrigan_posthuman.html)
by Matthew Horrigan, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Du poétique au poïétique (https://www.econtact.ca/11_2/dhomont_poetique.html)
by Francis Dhomont, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
EA Voices I (https://www.econtact.ca/1_1/EAvoices1.html)
by CEC, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Eating and Beating Eggs: Some thoughts on electroacoustic composition (https://www.econtact.ca/9_2/abram.html)
by John Abram, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Edinburgh (https://www.econtact.ca/10_3/edinburgh_green.html) [Community Reports]
by Owen Green, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Editorial (https://www.econtact.ca/9_4/editorial.html)
by Kevin Austin, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Editorial (https://www.econtact.ca/8_4/editorial.html)
by Kevin Austin and jef chippewa, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Editorial (https://cec.sonus.ca/Radio/Long/Kevin.html#anglais)
by Kevin Austin, in 2.3 — Radiophonique / Radiophonic (https://www.econtact.ca/2_3/index.html) (1999)
Editorial (https://www.econtact.ca/13_2/editorial.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Editorial (https://www.econtact.ca/21_2/editorial.html)
by jef chippewa, in 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices / Dématérialisation de l’objet sonore : Approches conceptuelles des pratiques artistiques centrées sur le son (https://www.econtact.ca/21_2/index.html) (July 2023)
Editorial (https://www.econtact.ca/21_1/editorial.html)
by jef chippewa, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
Editorial (https://www.econtact.ca/20_3/editorial.html)
by jef chippewa, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
Editorial (https://www.econtact.ca/20_2/editorial.html)
by jef chippewa, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
Editorial (https://www.econtact.ca/19_3/editorial.html)
by jef chippewa, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Editorial (https://www.econtact.ca/18_4/editorial.html)
by jef chippewa, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Editorial (https://www.econtact.ca/18_3/editorial.html)
by jef chippewa, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Editorial (https://www.econtact.ca/18_2/editorial.html)
by jef chippewa, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Editorial (https://www.econtact.ca/17_3/editorial.html)
by jef chippewa, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Editorial (https://www.econtact.ca/17_2/editorial.html)
by jef chippewa, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Editorial (https://www.econtact.ca/15_3/editorial.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Editorial (https://www.econtact.ca/15_2/editorial.html)
by jef chippewa, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Editorial (https://www.econtact.ca/14_4/editorial.html)
by jef chippewa, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Editorial (https://www.econtact.ca/13_3/editorial.html)
by jef chippewa, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Editorial (https://www.econtact.ca/12_4/editorial.html)
by jef chippewa, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Editorial (https://www.econtact.ca/12_3/editorial.html)
by jef chippewa, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Editorial (https://www.econtact.ca/12_2/editorial.html)
by jef chippewa, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Editorial (https://www.econtact.ca/11_3/editorial.html)
by jef chippewa, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Editorial (https://www.econtact.ca/11_2/editorial.html)
by jef chippewa, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Editorial (https://www.econtact.ca/10_4/editorial.html)
by jef chippewa, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Editorial (https://www.econtact.ca/10_3/editorial.html)
by jef chippewa, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Editorial (https://www.econtact.ca/10_2/editorial.html)
by jef chippewa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Editorial (https://www.econtact.ca/10_x/editorial.html)
by jef chippewa, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Editorial (https://www.econtact.ca/9_2/editorial_fr.html)
by jef chippewa, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Editorial (https://www.econtact.ca/8_3/editorial.html)
by jef chippewa, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Editorial (https://www.econtact.ca/4_4/autre.html)
by Ian Chuprun, in 4.4 — ÉuCuE: Électroacoustique université Concordia university Electroacoustics (https://www.econtact.ca/4_4/index.html) (2001)
Editorial (https://www.econtact.ca/14_2/editorial.html)
by Marco Donnarumma, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Editorial (https://www.econtact.ca/8_2/editorial.html)
by Elizabeth Hinkle-Turner, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Editorial (https://www.econtact.ca/15_4/editorial.html)
by Joseph Hyde, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Editorial (https://www.econtact.ca/16_3/editorial.html)
by Emilie Cecilia LeBel, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Editorial (https://www.econtact.ca/3_3/Introductory.htm)
by Elainie Lillios, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Editorial (https://www.econtact.ca/16_2/editorial.html)
by PerMagnus Lindborg, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Editorial (https://www.econtact.ca/11_4/editorial.html)
by David Ogborn, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Editorial (https://www.econtact.ca/13_4/editorial.html)
by Rebekkah Palov, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Editorial (https://www.econtact.ca/17_4/editorial.html)
by Richard Scott, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Editorial (https://www.econtact.ca/5_3/editorial.html)
by Nadene Thériault-Copeland, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Editorial (https://www.econtact.ca/16_4/editorial.html)
by Karin Weissenbrunner, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Editorial (https://www.econtact.ca/14_3/editorial.html)
by Karin Weissenbrunner, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Éditorial (https://www.econtact.ca/9_3/editorial_fr.html)
by R. Dominique Bassal, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Éditorial (https://www.econtact.ca/19_2/editorial_fr.html)
by Nicolas Bernier, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Éditorial (https://www.econtact.ca/20_2/editorial_fr.html)
by jef chippewa, Trans. Yves Charuest, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
Éditorial (https://www.econtact.ca/19_3/editorial_fr.html)
by jef chippewa, Trans. Yves Charuest, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Edward Kelly — Kkkomputor (https://www.econtact.ca/3_2/Kkkomputor.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
Ein Leben für den Klang [A Lifetime for Sound]: Eine Collage aus Originaldokumenten (https://www.econtact.ca/13_4/abocab_lebenklang.html)
by Caspar Abocab, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Electroacoustic (and related) Email Lists (https://www.econtact.ca/8_4/email_lists.html)
by CEC, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Electroacoustic Ageism (https://www.econtact.ca/14_4/naylor_ageism.html)
by Steven Naylor, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Electroacoustic and Computational Feedback Synthesis (https://www.econtact.ca/14_4/foster_feedbacksynthesis.html)
by Campbell Foster, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Electroacoustic Bibliography (https://www.econtact.ca/8_4/bibliography.html)
by CEC, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Electroacoustic Communities [wiki]: Events (http://cecpublic.pbworks.com/CommunityEvents)
by CEC, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Electroacoustic Communities [wiki]: Venues (http://cecpublic.pbworks.com/CommunityVenues)
by CEC, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Electroacoustic Communities: Events [wiki] (http://cecpublic.pbworks.com/CommunityEvents)
by CEC, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Electroacoustic Communities: Venues [wiki] (http://cecpublic.pbworks.com/CommunityVenues)
by CEC, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Electroacoustic Music at Simon Fraser University’s School for the Contemporary Arts (https://www.econtact.ca/5_2/sfu.html)
by Martin S. Gotfrit, in 5.2 — Studios électroacoustiques au Canada / Canadian Electroacoustic Studios (https://www.econtact.ca/5_2/index.html) (2002–03)
Electroacoustic Music by Women Composers: Concert 1 programme notes (https://www.econtact.ca/3_3/ConcertOne.htm) [Annex]
by CEC, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Electroacoustic Music by Women Composers: Concert 2 programme notes (https://www.econtact.ca/3_3/ConcertTwo.htm) [Annex]
by CEC, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Electroacoustic Music by Women Composers: Two concerts curated by Elainie Lillios in celebration of Women’s History Month, March 1999 (https://www.econtact.ca/3_3/DentonReview.htm) [Report]
by Steven L. Makela, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Electroacoustic Music in Canada 1950–1984 (https://www.econtact.ca/3_4/EaMusicCanada.htm)
by David R. Keane, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
Electroacoustic Music in Melbourne (https://www.econtact.ca/11_4/melbourne_bencina_kreger.html) [Community Reports]
by Ross Bencina and Tim Kreger, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Electroacoustic Music Incorporating Latin American Influences: A consideration of implications, reception and borrowing (https://www.econtact.ca/12_4/blackburn_influences.html)
by Manuella Blackburn, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Electroacoustic Music Studios at Queen’s School of Music (https://www.econtact.ca/5_2/ems.html)
by Kristi Allik, in 5.2 — Studios électroacoustiques au Canada / Canadian Electroacoustic Studios (https://www.econtact.ca/5_2/index.html) (2002–03)
Electroacoustic Sound and Audiovisual Structure in Film (https://www.econtact.ca/12_4/andersen_audiovisual.html)
by Martin Stig Andersen, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Electroacoustic Soundscape Composition (https://www.econtact.ca/1_4/Schryer.html)
by Claude Schryer, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
Electroacoustic Studies at Concordia University (https://www.econtact.ca/5_2/concordia.html)
by VA, in 5.2 — Studios électroacoustiques au Canada / Canadian Electroacoustic Studios (https://www.econtact.ca/5_2/index.html) (2002–03)
Electroacoustic Techniques and Processes (https://www.econtact.ca/8_4/techniques.html)
by CEC, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Electroacoustics in Nova Scotia 2008 (https://www.econtact.ca/10_2/novascotia_naylor.html) [Community Reports]
by Steven Naylor, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Electronic Music in China (https://www.econtact.ca/11_3/china_gluck.html) [Community Reports]
by Bob Gluck, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Electronic Music in Indonesia (https://www.econtact.ca/11_3/indonesia_gluck.html) [Community Reports]
by Bob Gluck, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Electronic Music in Iran (https://www.econtact.ca/11_4/iran_cont_gluck.html) [Community Reports]
by Arshia Cont and Bob Gluck, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Electronic Music in Israel (https://www.econtact.ca/11_4/israel_gluck.html) [Community Reports]
by Bob Gluck, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Electronic Music in South Korea (https://www.econtact.ca/11_3/southkorea_gluck.html) [Community Reports]
by Bob Gluck, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Electronic Music in Toronto and Canada in the Analogue Era (https://www.econtact.ca/11_2/beecroft_electronicmusic.html)
by Norma Beecroft, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Éléments pour une syntaxe (https://www.econtact.ca/11_2/dhomont_syntaxe.html)
by Francis Dhomont, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Eliane Radigue — Trilogie de la mort (1998) (https://www.econtact.ca/3_3/Trilogie.htm) [CD]
by Warren Burt, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Elitism for All: The normalisation of electroacoustic art (https://www.econtact.ca/10_3/wishart_keynote.html) [Keynote]
by Trevor Wishart, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Elwyn Dennis — Fundamentals (https://www.econtact.ca/3_2/Fundamentals.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
EMS Archival Project: McGill University, Schulich School of Music (https://www.econtact.ca/10_x/archive_mcgillems.html)
by alcides lanza, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
En soutien au projet SONUS (https://www.econtact.ca/6_3/mattes_sonus_fr.html)
by Al Mattes, Kevin Austin and Steven Naylor, Trans. Dominique Bassal, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
Encounter with Daniel Teruggi and the GRM in Paris (https://www.econtact.ca/10_2/TeruggiDa_Palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Encounters in the Republic of Heaven (https://www.econtact.ca/15_2/wishart_encounters.html) [Keynote]
by Trevor Wishart, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Endphase: Origin and analysis of an ongoing project (https://www.econtact.ca/10_4/bernal_pais_endphase.html)
by Alberto Bernal and João Miguel Pais, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Engaging the Visual and Auditory Senses (https://www.econtact.ca/5_3/jarvis_engaging.html)
by Bentley Jarvis, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Entre ici et là : Une création radiophonique en huit mouvements (https://www.econtact.ca/2_3/Entreici.htm)
by Claude Schryer, in 2.3 — Radiophonique / Radiophonic (https://www.econtact.ca/2_3/index.html) (1999)
Entretien avec Francis Dhomont (https://www.econtact.ca/11_2/dhomontfr_paes.html)
by Rui Eduardo Paes, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Entretien avec Stephanie Castonguay et Émilie Mouchous, artistes de l’audio : Déesses de l’électricité DIY (https://www.econtact.ca/18_3/bourdages_deessesDIY.html)
by Esther Bourdages, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Entrevue avec Alain Thibault (https://www.econtact.ca/10_x/ThibaultAl_Prevost.html)
by Hélène Prévost, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Entrevue avec Amy McIntosh, artiste en nouveaux medias : Structure créatrice du Cybernetic Orchestra (https://www.econtact.ca/15_3/chippewa_mcintosh_fr.html)
by jef chippewa, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Entrevue avec Benjamin Thigpen, compositeur : Performance avec ordinateur en direct et l’Audio Spotlight (https://www.econtact.ca/15_3/chippewa_thigpen_fr.html)
by jef chippewa, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Entrevue avec Charles de Mestral (https://www.econtact.ca/10_x/DemestralCh_Gauthier.html)
by Mario Gauthier, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Entrevue avec Claude Schryer (https://www.econtact.ca/10_x/SchryerCl_Prevost.html)
by Hélène Prévost, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Entrevue avec Darren Copeland, artiste sonore : L’Audio Spotlight, un instrument de diffusion sonore tactile et portable (https://www.econtact.ca/15_3/chippewa_copeland_fr.html)
by jef chippewa, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Entrevue avec Guillaume Barrette, Maxime Corbeil-Perron et Jullian Hoff : Performance d’œuvres électroacoustiques avec le système de diffusion de NAISA (https://www.econtact.ca/15_3/chippewa_toronto_fr.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Entrevue avec Guillaume Campion, compositeur : Programmation en direct et improvisation — un atout pour le compositeur électroacoustique (https://www.econtact.ca/15_3/chippewa_campion_fr.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Entrevue avec Jean Piché (https://www.econtact.ca/10_x/PicheJe_Gauthier.html)
by Mario Gauthier, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Entrevue avec Jean-François Denis (https://www.econtact.ca/10_x/DenisJF_Prevost.html)
by Hélène Prévost, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Entrevue avec Kearon Roy Taylor : Inclusivité et intégration dans le Cybernetic Orchestra (https://www.econtact.ca/15_3/chippewa_roytaylor_fr.html)
by jef chippewa, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Entrevue avec Martin Tétreault : Finalement, je me suis fait avoir… / Clearly, I’ve been had… (https://www.econtact.ca/14_3/fortier_tetreault.html)
by Sylvain Fortier, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Entrevue avec Maxime Corbeil-Perron et Guillaume Barrette : De Victoria à Vancouver pour les 25 ans de la CEC (https://www.econtact.ca/15_3/chippewa_victoria_fr.html)
by jef chippewa, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Entrevue avec Robert Normandeau (https://www.econtact.ca/10_x/NormandeauRo_Prevost.html)
by Hélène Prévost, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Entrevue avec Robert Normandeau : La composition multicanale comme extension de l’écriture musique concrète (https://cec.sonus.ca/Takes/Ned.html)
by Ned Bouhalassa, in 2.4 — Diffusion multicanal 1 / Multi-Channel Diffusion 1 (https://www.econtact.ca/2_4/index.html) (1999)
Entrevue avec Shawn Pinchbeck, compositeur et artiste sonore : Développement d’une communauté artistique collaborative et expérimentale à Edmonton (https://www.econtact.ca/15_3/chippewa_pinchbeck_fr.html)
by jef chippewa, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Entrevue avec Steve Heimbecker (https://www.econtact.ca/9_2/heimbecker.html)
by Vincent Bonin, Trans. Colette Tougas, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Entrevue avec Yves Daoust (https://www.econtact.ca/10_x/DaoustYv_Prevost.html)
by Hélène Prévost, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Épater la bourgeoisie… whatever. On the Obsolescence of Subversion (https://www.econtact.ca/16_4/chippewa_subversion.html)
by jef chippewa, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Ernie Althoff — Heliosonics (1999) (https://www.econtact.ca/3_2/Heliosonics.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
ÉuCuE 20th Anniversary Series (2001–02) (https://www.econtact.ca/4_4/concerts.html)
by VA, in 4.4 — ÉuCuE: Électroacoustique université Concordia university Electroacoustics (https://www.econtact.ca/4_4/index.html) (2001)
EuCuE XXIV.13 (https://www.econtact.ca/8_3/corriveau.html) [Report]
by Joel Corriveau, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Evan Parker Electro-Acoustic Ensemble — Drawn Inward (1999) (https://www.econtact.ca/2_2/Leider.htm) [CD]
by Colby Leider, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
Evelyn Ficarra — Frantic Mid-Atlantic (1999) (https://www.econtact.ca/2_2/Rubin.htm) [CD]
by Anna Rubin, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
Évolution de la musique électroacoustique à Montréal (https://www.econtact.ca/3_4/EvolutionMontreal.htm)
by Nicolas Basque, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
Evolving Creative Approaches and New Media Installations (https://www.econtact.ca/5_3/etienne_installations.html)
by Tania Etienne, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Exile as Noise — Noise as Exile (https://www.econtact.ca/9_4/feiler.html)
by Dror Feiler, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Experimental Turntablism: Historical overview of experiments with record players / records — or Scratches from Second-Hand Technology (https://www.econtact.ca/14_3/weissenbrunner_history.html)
by Karin Weissenbrunner, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Exploring Real, Virtual and Augmented Worlds Through “Putney”, an Extended Reality (https://www.econtact.ca/17_4/climent-etal_putney.html)
by Ricardo Climent, Mark Pilkington and Alena Mesárošová, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Extending the Piano (https://www.econtact.ca/13_2/bruemmer_extending.html)
by Ludger Brümmer, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Feminist Theory (and Electroacoustic Music): Some classic sources for beginning and advanced inquirers in the field (https://www.econtact.ca/8_2/theory.html)
compiled bycompiled by Elizabeth Hinkle-Turner, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Festival Elektra : Soirée vidéo-musique « Discreet » (https://www.econtact.ca/6_2/pillarella_elektra.html) [Rapport]
by Sophie Pillarella, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
Films with Significant Electroacoustic Content (https://www.econtact.ca/8_4/films.html)
by CEC, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
First Contact / Premier contact (https://www.econtact.ca/4_2/contact.htm)
by Shannon Peet, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
flap-o-phone Construction and Assembly Instructions (https://www.econtact.ca/14_3/delaurenti_buildaflapophone.html)
by Christopher DeLaurenti, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
FLOSS+Art (Aymeric Mansoux and Marloes de Valk, Eds.) (https://www.econtact.ca/11_3/nettingsmeier_floss.html) [Book]
by Jörn Nettingsmeier, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Folkwang University: Development of Electronic Music and the ICEM — Institut für Computermusik und Elektronische Medien (Essen, Germany) (https://www.econtact.ca/12_4/icem_neuhaus.html) [Institutions]
by Thomas Neuhaus, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
For an Awareness of Associations (https://www.econtact.ca/1_4/Copeland.html)
by Darren Copeland, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
For the Record. Thoughts on Medium Specificity in the Sonic Arts (https://www.econtact.ca/20_3/thoben_specificity.html)
by Jan Thoben, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
Foreword (https://www.econtact.ca/1_1/bosma_foreword.html)
by Hannah Bosma, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
FRAMEWORK: Interpretation of graphic scores using a small modular system (https://www.econtact.ca/17_4/nielsen_framework.html)
by Mads Emil Nielsen, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Francis Dhomont in London: Electroacoustic music and history (https://www.econtact.ca/3_4/DhomontLondon.htm)
by John Dack, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
Francis Dhomont — Les dérives du signe (1996) (https://www.econtact.ca/6_2/sigler_dhomont.html) [CD]
by Andie Sigler, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
Frank Morse Robb’s Wave Organ: The world’s first electronic organ (https://www.econtact.ca/17_3/murphy-cotter_robborgan.html)
by Michael Murphy and Max Cotter, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Freedom Squared: Free Improvisation in the Free Software World (https://www.econtact.ca/11_3/seta_freedom.html)
by Michal Seta, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
From Sound to Score and Back: Approaches to composing with spectral data (https://www.econtact.ca/16_3/litke_spectraldata.html)
by David Litke, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
From UPIC to IanniX: Development of a three-dimensional graphic, open source environment for music, sound and beyond (https://www.econtact.ca/19_3/scordato_iannix.html)
by Julian Scordato, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Fuck It, I’ll Do It Myself: Or, why on Earth would anyone start a sound art organization in Melbourne and call it JOLT? (https://www.econtact.ca/18_3/hullick_jolt.html)
by James Hullick, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Futura, festival international d’art acousmatique et des arts de support (https://www.econtact.ca/11_2/report_futura.html) [Report]
by Guillaume Contré, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Future Traces: Current Trends in Electroacoustic Music (https://www.econtact.ca/11_4/patton_future.html)
by Karen Patton, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Garth Paine — Escape Velocity (1999) (https://www.econtact.ca/3_2/EscapeVelocity.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
Gary James Joynes — A Review of Visual Sound in Practice (https://www.econtact.ca/15_4/candler_joynes.html) [Gallery]
by David Candler, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Gary Verkade — Winded (1999) (https://www.econtact.ca/3_2/Winded.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
Gatineau Soundwalk (https://www.econtact.ca/4_3/dallas.html)
by Doug Samuel, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
Gen Why Composition: Nothing to say and we are not saying it (https://www.econtact.ca/10_3/thomas_genwhy.html)
by Jason Thomas, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Gender and Computer Music: Tracing Change (https://www.econtact.ca/8_2/panel.html)
compiled bycompiled by Mara M. Helmuth and Elizabeth Hinkle-Turner, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Gender and Electroacoustics (https://www.econtact.ca/1_1/bosma_gender.html)
by Hannah Bosma, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Generalizing Digital Waveguides for Composition (https://www.econtact.ca/8_3/burnsetal.html)
by Christopher Burns, Stefania Serafin and Matthew Burtner, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Genre et électroacoustique (https://www.econtact.ca/1_1/bosma_gender_fr.html)
by Hannah Bosma, Trans. Yves Charuest, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Gestural Composition (https://www.econtact.ca/1_2/Wyatt.html)
by Scott A. Wyatt, in 1.2 — SEAMUS: Society for Electro-Acoustic Music in the United States (https://www.econtact.ca/1_2/index.html) (1998)
Getting WiGi with It. Performing and Programming with an Infrared Gestural Instrument: A Case Study (https://www.econtact.ca/12_3/scott_wigi.html)
by Richard Scott, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Gilles Gobeil — Dans le silence de la nuit (2001) (https://www.econtact.ca/6_2/gratton_gobeil.html) [CD]
by Charlaine Gratton, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
“Gliding Slowly Back to the Body of Origin”: The interrelationship between body, voice, listening and the environment (https://www.econtact.ca/18_2/bartley_gliding.html)
by Wende Bartley, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Global Movement, Local Detail: The Music of Tim Hecker (https://www.econtact.ca/11_2/bergmann_hecker.html) [Entrées]
by Brett Bergmann, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Gottfried Michael Koenig — Project 1, Version 3 (1967) (https://www.econtact.ca/11_2/tsabary_treasures05.html) [Rediscovered Treasures]
by Eldad Tsabary, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Graham Dunning (https://www.econtact.ca/16_4/dunning_gallery.html) [Gallery]
by Graham Dunning, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Granular Synthesis and Barry Truax’s “Riverrun” (https://www.econtact.ca/11_2/bouchard_truax.html) [Entrées]
by Albert J. Bouchard, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Gravikords and Pyrophones: The Reflexive Piano (https://www.econtact.ca/13_2/casal_gravikords.html)
by David Plans Casal, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Guide de production des Stems [pdf] (https://cec.sonus.ca/pdf/GuideDeProductionDesStems.pdf)
by R. Dominique Bassal, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
Guide to Producing Stems [pdf] (https://cec.sonus.ca/pdf/AGuideToProducingStems.pdf)
by R. Dominique Bassal, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
Hacking the CD Player (https://www.econtact.ca/20_3/collins_cdhacking.html)
by Nicolas Collins, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
Hadronized Spectra (The LHC Sonifications): Sonification of proton collisions (https://www.econtact.ca/16_3/rhoades_LHCsonifications.html)
by Michael Rhoades, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Handheld Audio Art Devices (https://www.econtact.ca/12_3/leonardson_devices.html)
by Eric Leonardson, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Haptic Field (2016–17) (https://www.econtact.ca/19_2/salter_hapticfield.html) [Gallery]
by Christopher Salter, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Harald Bode — A Short Biography (https://www.econtact.ca/13_4/palov_bode_biography.html)
by Rebekkah Palov, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Harald Bode’s Four-Voice Assignment Keyboard (1937) (https://www.econtact.ca/13_4/rhea_bode_warbo.html)
by Thomas L. Rhea, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Harald Bode’s Frequency Shifters and Vocoders (https://www.econtact.ca/13_4/rhea_bode_vocoder.html)
by Thomas L. Rhea, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Harald Bode’s Notebooks (https://www.econtact.ca/13_4/palov_bode_notebooks.html)
by Rebekkah Palov, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Hear Me Now: The Implication and significance of the female composer’s voice as sound source in her electroacoustic music (https://www.econtact.ca/8_2/Hinkle_Turner.html)
by Elizabeth Hinkle-Turner, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Hear / See: A Slow conversation on sound and moving image (https://www.econtact.ca/15_4/hyde-piche_videomusic.html)
by Joseph Hyde and Jean Piché, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Hearing [wiki]: Earplugs (http://cecpublic.pbworks.com/HearingEarplugs)
by CEC, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Hearing [wiki]: Glossary (http://cecpublic.pbworks.com/HearingGlossary)
by CEC, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Hearing [wiki]: Hearing Loss (http://cecpublic.pbworks.com/HearingLoss)
by CEC, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Hearing [wiki]: Hearing Tests (http://cecpublic.pbworks.com/HearingTests)
by CEC, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Hearing [wiki]: Index (http://cecpublic.pbworks.com/Hearing)
by CEC, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Hearing [wiki]: Resources (http://cecpublic.pbworks.com/HearingResources)
by CEC, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Hearing [wiki]: Testimonials (http://cecpublic.pbworks.com/HearingTestimonials)
by CEC, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Hearing [wiki]: Tinnitus (http://cecpublic.pbworks.com/HearingTinnitus)
by CEC, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Hearing Protection for the Critical Listener (https://www.econtact.ca/9_4/berger.html)
by Elliott Berger, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Henri Chopin — Pêche de Nuit (1957) (https://www.econtact.ca/10_4/tsabary_treasures04.html) [Rediscovered Treasures]
by Eldad Tsabary, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Herbert Brun — Language, Message, Drummage (1998); Wayfaring Sounds (1998); Mutatis Mutandis (1998); Sawdust (1998) (https://www.econtact.ca/3_4/LanguageMessage.htm) [CD]
by Warren Burt, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
Hildegard Westerkamp — Transformations (1996) (https://www.econtact.ca/1_1/mccartney_westerkamp.html) [CD]
by Andra McCartney, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Hildegard Westerkamp — Transformations (1996) (https://www.econtact.ca/1_1/mccartney_westerkamp_fr.html) [CD]
by Andra McCartney, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Histoire, technologies, performances : Une source de premier ordre pour la recherche sur l’électroacoustique au Canada (https://www.econtact.ca/10_x/austin_research_fr.html)
by Kevin Austin, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
History of Electronic Sound Modification (https://www.econtact.ca/13_4/bode_history.html)
by Harald Bode, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
History, Technologies, Performances: A primary research source for electroacoustics in Canada (https://www.econtact.ca/10_x/austin_research.html)
by Kevin Austin, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Hive: An audio programming language informed by the theory of cognitive dimensions (https://www.econtact.ca/17_3/goncalves_cognitive.html)
by Tanya Goncalves, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
How Something is Born, Lives and Dies: A composer’s approach for thematic evolution in electroacoustic music (https://www.econtact.ca/12_4/karamanlis_thematic.html)
by Orestis Karamanlis, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Hugh Le Caine: In Context, 2004 (https://www.econtact.ca/6_3/young_lecaine.html)
by Gayle Young, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
Hugh Le Caine and the McGill EMS (https://www.econtact.ca/17_2/lanza_lecaine.html)
by alcides lanza, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Hugh Le Caine Photo Album / Album photo de Hugh Le Caine (https://www.facebook.com/media/set/?set=a.10153673219116281.1073741841.178176036280&type=3) [Photo Gallery]
by CEC, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Hugh Le Caine’s Polyphonic Synthesizer (https://www.econtact.ca/17_2/pedersen_lecaine.html)
by Paul R. Pedersen, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
“I am sitting on a fence”: Negotiating sound and image in audiovisual composition (https://www.econtact.ca/15_4/radford_soundimage.html)
by Laurie Radford, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
(I)MAGESOUND(S): Expanded audiovisual practice (https://www.econtact.ca/19_2/hill-hobbs_imagesounds.html)
by Andrew Hill and Jim Hobbs, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Iannis Xenakis — Metastasis (1954) (https://www.econtact.ca/10_4/tsabary_treasures01.html) [Rediscovered Treasures]
by Eldad Tsabary, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Iannis Xenakis — ST/10 (1962) (https://www.econtact.ca/10_4/tsabary_treasures02.html) [Rediscovered Treasures]
by Eldad Tsabary, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
ICMC 2005, “Free Sound” (https://www.econtact.ca/8_3/davis.html) [Report]
by Thomas Davis, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
ICMC 2008 (https://www.econtact.ca/10_4/report_icmc08.html) [Report]
by Justin Yang, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
IEM — Institute of Electronic Music and Acoustics (Graz) (https://www.econtact.ca/11_3/ritsch_zmoelnig_iem.html) [Institutions]
by Winfried Ritsch and IOhannes Zmölnig, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Imaginary Space / Spaces in the Imagination: Keynote Address at the 1999 Australasian Computer Music Conference (https://www.econtact.ca/3_2/ACMConference.htm)
by Jonty Harrison, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
Implications of Electroacoustic Composition in an Intercultural Context: Cultural identity and cultural meanings and uses of music timbre (https://www.econtact.ca/17_3/roberts_identity.html)
by Jeff Roberts, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
“In Flight” and Audio Spray Gun: Generative composition of large sound-groups (https://www.econtact.ca/17_3/garrett_audiospraygun.html)
by Richard Garrett, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
In Search of Tools for the Laptop Ensemble (https://www.econtact.ca/13_3/eigenfeldt_laptopensemble.html)
by Arne Eigenfeldt, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
In Support of the SONUS Project (https://www.econtact.ca/6_3/mattes_sonus.html)
by Al Mattes, Kevin Austin and Steven Naylor, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
In Vitro Oink: A Composition for piano and wii-remote (https://www.econtact.ca/13_2/jette_invitro.html)
by Christopher Jette, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Incidental Speakers (https://www.econtact.ca/21_2/apel_incidentalspeakers.html)
by Ted Apel, in 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices / Dématérialisation de l’objet sonore : Approches conceptuelles des pratiques artistiques centrées sur le son (https://www.econtact.ca/21_2/index.html) (July 2023)
India Soundscape Project (https://www.econtact.ca/4_3/plowman.html)
by Will Plowman, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
Information Asphyxiation: Procrastination, distraction and the digital artist (https://www.econtact.ca/15_2/naylor_infoasphyxiation.html)
by Steven Naylor, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
inside the eye of silence (https://www.econtact.ca/5_3/spiteri-godman_eyeofsilence.html)
by Vivienne Spiteri and Rob Godman, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Instant Cut (https://www.econtact.ca/16_4/zazie_instantcut.html)
by Valeria Merlini, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Instituts de hautes études / Higher Education Institutes (https://cec.sonus.ca/links/HigherEducation.htm) [Links]
by CEC, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Instrument Design Files for the Bode Klangumwandlers at the Columbia-Princeton Electronic Music Center (https://www.econtact.ca/13_4/palov_klangumwandler.html)
by Rebekkah Palov, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Integrating Electroacoustic Techniques into Theatrical Performance (https://www.econtact.ca/18_4/dodge_EAintheatre.html)
by Carey Dodge, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Intelligent Real-time Composition (https://www.econtact.ca/10_4/eigenfeldt_realtime.html)
by Arne Eigenfeldt, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Inter/National: Associations, institutions… (https://cec.sonus.ca/links/links_inter.html) [Links]
by CEC, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Interacting with a Corpus of Sounds (https://www.econtact.ca/16_2/schwarz_corpus.html)
by Diemo Schwarz, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Interacting with Inner and Outer Sonic Complexity: From microsound to soundscape composition (https://www.econtact.ca/16_3/truax_soniccomplexity.html)
by Barry D. Truax, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Interactive Composing with Autonomous Agents (https://www.econtact.ca/16_2/spicer_agents.html)
by Michael Spicer, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Interactive Sound: Generative approaches from computation and cognition (https://www.econtact.ca/16_2/dean_generative.html)
by Roger T. Dean, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Interactive Sound Synthesis Mediated through Computer Networks (https://www.econtact.ca/16_2/christopher-etal_synthesis.html)
by Kameron Christopher, Jingyin He, Ajay Kapur and Dale A. Carnegie, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Interactivity (https://www.econtact.ca/10_4/dursely_interactivity.html)
by Danny Dursley, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Intermedial Cognition: Towards a method for analyzing electroacoustic intermedia through an interpretation of the topoi in Jarosław Kapuściński’s “Oli’s Dream” (https://www.econtact.ca/18_2/olivier_cognition.html)
by Ryan Olivier, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
International Alliance for Women in Music Congress 2006, “Global Perspectives” (https://www.econtact.ca/8_4/hinkle_turner.html) [Report]
by Elizabeth Hinkle-Turner, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
International, 24/7 Electroacoustic Webradios (https://www.econtact.ca/8_4/online_radio.html)
compiled bycompiled by jef chippewa, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Intersecting Planes: A Reminiscence of Vladimir Ussachevsky in the 1960s [pdf] (https://www.econtact.ca/7_3/lewisrichter-lanza_ussachevsky-MW82.pdf)
by Andrés Lewin-Richter and alcides lanza, in 7.3 — Grandes figures canadiennes 1 / Canadian Figures 1 (https://www.econtact.ca/7_3/index.html) (March 2005)
Interview mit Joke Lanz, Turntablist: Eine Momentaufnahme meiner tiefsten Psyche (https://www.econtact.ca/16_4/weissenbrunner_lanz_de.html)
by Karin Weissenbrunner, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Interview with Adam Basanta, Canadian Visual and Sound Artist: Kinetic mixed-media installations and an (almost) autonomous AI art factory (https://www.econtact.ca/21_1/palumbo_basanta.html)
by Michael Palumbo, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
Interview with Al Mattes (https://www.econtact.ca/10_2/MattesAl_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with alcides lanza (https://www.econtact.ca/13_2/LanzaAl_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with alcides lanza (https://www.econtact.ca/10_2/LanzaAl_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with alcides lanza (https://www.econtact.ca/7_3/chuprun_lanza.html)
by Ian Chuprun, in 7.3 — Grandes figures canadiennes 1 / Canadian Figures 1 (https://www.econtact.ca/7_3/index.html) (March 2005)
Interview with alcides lanza (https://www.econtact.ca/10_x/LanzaAl_Gauthier.html)
by Mario Gauthier, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Interview with alcides lanza (https://www.econtact.ca/10_2/LanzaAl_CMC.html)
by Mary I. Ingraham, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Alexander Schubert, German Composer: Strobes, mirrors, fog and site-specific experiences (https://www.econtact.ca/19_2/bernier_schubert.html)
by Nicolas Bernier, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Interview with Alvin Lucier (https://www.econtact.ca/13_2/LucierAl_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Amy McIntosh, New Media Artist: Creative structure in the Cybernetic Orchestra (https://www.econtact.ca/15_3/chippewa_mcintosh.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Interview with Ann Southam: If only I could sing (https://www.econtact.ca/10_2/SouthamAn_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Anne La Berge: Three nice questions, for flute; Dada da Babylon (https://www.econtact.ca/10_2/LaBergeAn_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Barry Schrader: Atlantis rising (https://www.econtact.ca/10_2/SchraderBa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Barry Truax (https://www.econtact.ca/10_2/TruaxBa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Ben Thigpen, Composer: Live laptop performance and the Audio Spotlight (https://www.econtact.ca/15_3/chippewa_thigpen.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Interview with Bentley Jarvis (https://www.econtact.ca/10_2/JarvisBe_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Bill Buxton, Canadian Composer and Researcher: Privileging the human aspect of electronic and computer music systems (https://www.econtact.ca/17_2/beecroft_buxton.html)
by Norma Beecroft, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Interview with Bob Bovard (https://www.econtact.ca/13_2/BovardBo_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Brad Garton (https://www.econtact.ca/13_2/GartonBr_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Brenda Hutchinson: Tennessee Waltz; Eee-yi! Yi! Yi! (https://www.econtact.ca/10_2/HutchinsonBr_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Brian Fennelly, American Composer: A mess of equipment and NYU’s electronic music studio (https://www.econtact.ca/19_3/gluck_fennelly.html)
by Bob Gluck, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Interview with Bruno Degazio (https://www.econtact.ca/10_2/DegazioBr_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Carl Stone: The long jump (https://www.econtact.ca/10_2/StoneCa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Chantale Laplante (https://www.econtact.ca/13_2/LaplanteCh_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Charlemagne Palestine, Composer and Visual Artist: Crazy things happened that I can’t imagine ever happening again (https://www.econtact.ca/20_3/gluck_palestine.html)
by Bob Gluck, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
Interview with Charles Amirkhanian: Voice crystals; More talkin' (https://www.econtact.ca/10_2/AmirkhanianCh_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Charles de Mestral (https://www.econtact.ca/10_2/DeMestralCh_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Chris Brown: The electronic offense; Journals (https://www.econtact.ca/10_2/BrownCh_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Chris Koenigsberg: Difficult listening; Ends in "Berg" for $200 (https://www.econtact.ca/10_2/KoenigsbergCh_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Christian Calon (https://www.econtact.ca/10_2/CalonCh_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Christopher deLaurenti: Surviving seven years (https://www.econtact.ca/10_2/deLaurentiCh_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Clarence Barlow: Im Januar; Barlow and Bolero; Generating telephone complaints (https://www.econtact.ca/12_2/BarlowCl_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interview with Claude Schryer (https://www.econtact.ca/10_2/SchryerCl_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Claudio Calmens: Never napping (https://www.econtact.ca/10_2/CalmensCl_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Cort Lippe (https://www.econtact.ca/13_2/LippeCo_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Dame Evelyn Glennie (https://www.econtact.ca/9_4/nance.html)
by Rick Nance, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Interview with Daniel Goode: Two musics going “bang”! (https://www.econtact.ca/12_2/GoodeDa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interview with Daniel Leduc (https://www.econtact.ca/10_2/LeducDa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Daniel Scheidt (https://www.econtact.ca/10_2/ScheidtDa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Darren Copeland, Sound Artist: The Audio Spotlight, a portable and tactile sound diffusion instrument (https://www.econtact.ca/15_3/chippewa_copeland.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Interview with David Behrman: Kitchen sink electronics; No compromises (https://www.econtact.ca/10_2/BehrmanDa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with David Jaeger (https://www.econtact.ca/10_2/JaegerDa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with David Keane (https://www.econtact.ca/10_2/KeaneDa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with David Ogborn (https://www.econtact.ca/10_2/OgbornDa_CMC.html)
by Mary I. Ingraham, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Ean White (https://www.econtact.ca/13_2/WhiteEa_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Eldad Tsabary (https://www.econtact.ca/10_2/TsabaryEl_CMC.html)
by Mary I. Ingraham, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Eliane Radigue: Bovine battle guide to stasis (https://www.econtact.ca/10_2/RadigueEl_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Eliot Handelman: Up the hill (https://www.econtact.ca/10_2/HandelmanEl_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Elizabeth Anderson, Acousmatic Composer: Wilfulness vs. creative intuition (https://www.econtact.ca/18_2/marty_anderson.html)
by Nicolas Marty, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Interview with Elma Miller: Estonia, Estonia!; Fürbletter and Mosconi: Ivory bumper stick pong (https://www.econtact.ca/10_2/MillerEl_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Eric Lyon: Strap-on classical: The beat is back (https://www.econtact.ca/10_2/LyonEr_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Francis Dhomont (https://www.econtact.ca/10_2/DhomontFr_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Franziska Baumann (https://www.econtact.ca/12_2/BaumannFr_Klein.html)
by Julieanne Klein, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interview with Fred Szymanski: The White Duke of Noise (https://www.econtact.ca/10_2/SzymanskiFr_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Frederic Rzewksi: The People United; Will Never Be Defeated (https://www.econtact.ca/13_3/kalvos_damian_rzewski_2001.html)
by Dennis Báthory-Kitsz and David Gunn, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Interview with Gayle Young (https://www.econtact.ca/10_2/YoungGa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Gayle Young, Le Caine Biographer: Seeing down to the fundamentals of sound with Hugh Le Caine (https://www.econtact.ca/17_2/gibson_young.html)
by Ryan Paul Gibson, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Interview with George Lewis: Exit Music I (https://www.econtact.ca/12_2/LewisGe_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interview with George Todd: Zappa, ducks and voices (https://www.econtact.ca/10_2/ToddGe_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Gisèle Ricard (https://www.econtact.ca/10_2/RicardGi_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Godfried-Willem Raes and Moniek Darge: Tetrahedronicalism; Logosian swirl (https://www.econtact.ca/10_2/RaesDarge_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Gordon Monahan, Canadian Composer and Sound Artist: Music from nowhere (https://www.econtact.ca/21_2/ocallaghan_monahan.html)
by James O’Callaghan, in 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices / Dématérialisation de l’objet sonore : Approches conceptuelles des pratiques artistiques centrées sur le son (https://www.econtact.ca/21_2/index.html) (July 2023)
Interview with Guillaume Barrette, Maxime Corbeil-Perron and Jullian Hoff: Performance of Electroacoustic Works using NAISA’s Diffusion System (https://www.econtact.ca/15_3/chippewa_toronto.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Interview with Guillaume Campion, Composer: Live coding and improvisation — assets for the electroacoustic composer (https://www.econtact.ca/15_3/chippewa_campion.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Interview with Gustav Ciamaga (https://www.econtact.ca/10_2/CiamagaGu_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Gustav Ciamaga, Canadian Composer: Hugh Le Caine’s visionary electronic music instrument designs (https://www.econtact.ca/17_2/beecroft_ciamaga.html)
by Norma Beecroft, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Interview with Halim El Dabh, Egyptian Composer: “… like a sculptor, taking chunks of sound and chiselling them into something beautiful” (https://www.econtact.ca/15_2/gluck_el-dabh.html)
by Bob Gluck, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Interview with Hans Tutschku (https://www.econtact.ca/13_2/TutschkuHa_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Harald Bode (https://www.econtact.ca/13_4/finch_bode.html)
by Jim Finch, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Interview with Heidi Grundmann (https://www.econtact.ca/12_2/GrundmannHe_Peebles.html)
by Sarah Peebles, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interview with Hélène Prévost (https://www.econtact.ca/10_2/PrevostHe_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Henning Berg: Being interactive (https://www.econtact.ca/10_2/BergHe_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Hildegard Westerkamp (https://www.econtact.ca/10_2/WesterkampHi_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Hildegard Westerkamp (https://www.econtact.ca/10_2/WesterkampHi_CMC.html)
by Mary I. Ingraham, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with İlhan Mimaroğlu, Turkish Composer: Uptown and downtown, electronic music and “free jazz”, Ankara and New York (https://www.econtact.ca/14_4/gluck_mimaroglu.html)
by Bob Gluck, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Interview with István Anhalt (https://www.econtact.ca/10_2/AnhaltIs_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with István Anhalt, Hungarian-Canadian Composer: Being allowed to make “mistakes” while composing with Hugh Le Caine’s electronic music instruments (https://www.econtact.ca/17_2/montgomery-young_anhalt.html)
by James Montgomery and Gayle Young, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Interview with James Bohn: Whaddya want for free? (https://www.econtact.ca/10_2/BohnJa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with James Montgomery / Canadian Electronic Ensemble (CEE) (https://www.econtact.ca/10_2/CEE_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with James Montgomery, Canadian Composer: Hugh Le Caine’s virtuosity in electronics (https://www.econtact.ca/17_2/young_montgomery.html)
by Gayle Young, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Interview with James Tenney: Hermits of re-tuning (https://www.econtact.ca/10_2/TenneyJa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Jean Piché (https://www.econtact.ca/10_2/PicheJe_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Jean-François Denis (https://www.econtact.ca/13_2/DenisJF_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Jean-François Denis (https://www.econtact.ca/10_2/DenisJF_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with jef chippewa (https://www.econtact.ca/13_2/ChippewaJe_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Jim Montgomery (https://www.econtact.ca/10_2/MontgomeryJa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Joan La Barbara: Voice is the original instrument (https://www.econtact.ca/12_2/LaBarbaraJo_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interview with Joel Chadabe: Musical diseases (https://www.econtact.ca/10_2/ChadabeJo_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with John Celona (https://www.econtact.ca/10_2/CelonaJo_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with John Chowning: “Turenas” and its innovations (https://www.econtact.ca/12_2/ChowningJo_Zelli.html)
by Bijan Zelli, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interview with John Levin: Day of collisions (https://www.econtact.ca/10_2/LevinJo_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with John McGuire: McGuire steps up to the platter; McGuire heads for home (https://www.econtact.ca/10_2/McGuireJo_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with John Oswald: Plundering the Warehouse of Threshold; The Plundering of the Tomb... (https://www.econtact.ca/10_2/OswaldJo_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Joke Lanz, Turntablist: A snapshot of my deepest psyche (https://www.econtact.ca/16_4/weissenbrunner_lanz.html)
by Karin Weissenbrunner, Trans. Karin Weissenbrunner, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Interview with Jon Appleton: Pie, song and doggerel (https://www.econtact.ca/10_2/AppletonJo_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Jonathan Harvey (https://www.econtact.ca/10_2/HarveyJo_Palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Jonathan Harvey (https://www.econtact.ca/10_2/HarveyJo_Palmer.html)
by John Palmer, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
Interview with Josh Fineberg (https://www.econtact.ca/13_2/FinebergJo_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Joyce Beetuan Koh, Singaporean Composer: Letting time and sound pass (https://www.econtact.ca/16_2/haykal_koh.html)
by Bani Haykal, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Interview with Kaija Saariaho: Finland and phone calls; Red shift through the Algonquin hole (https://www.econtact.ca/10_2/SaariahoKa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Karlheinz Essl (https://www.econtact.ca/12_2/EsslKa_Klein.html)
by Julieanne Klein, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interview with Kearon Roy Taylor: Inclusivity and integration in the Cybernetic Orchestra (https://www.econtact.ca/15_3/chippewa_roytaylor.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Interview with Keith Hamel (https://www.econtact.ca/10_2/HamelKe_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Kevin Austin (https://www.econtact.ca/10_2/AustinKe_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Kevin Austin (https://www.econtact.ca/10_x/AustinKe_Gauthier.html)
by Mario Gauthier, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Interview with Kevin Austin: The History of Concordia University’s Electroacoustic Programme and Concert Series (https://www.econtact.ca/4_4/history.htm)
by Ian Chuprun, in 4.4 — ÉuCuE: Électroacoustique université Concordia university Electroacoustics (https://www.econtact.ca/4_4/index.html) (2001)
Interview with Kim Cascone (https://www.econtact.ca/10_2/CasconeKi_Nevile.html)
by Ben Nevile, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Klimchak, Atlanta-based Composer: Using everything and the kitchen sink (https://www.econtact.ca/18_3/neal_klimchak.html)
by Adam Scott Neal, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Interview with Kristi Allik (https://www.econtact.ca/10_2/AllikKr_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Larry Lake (https://www.econtact.ca/10_2/LakeLa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Larry Polansky: Family Values Day (https://www.econtact.ca/10_2/PolanskyLa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Laurie Anderson: Happiness (https://www.econtact.ca/10_2/AndersonLa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Laurie Spiegel: Regalia of rodents; Afflictions of ants; Deceptively simple, or simply deceptive? (https://www.econtact.ca/10_2/SpiegelLa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Louis Dufort (https://www.econtact.ca/13_2/DufortLo_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Maggi Payne: Ozone poisoning (https://www.econtact.ca/10_2/PayneMa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Marc Battier: Cosmos acoustiques (https://www.econtact.ca/10_2/BattierMa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Marc Tremblay (https://www.econtact.ca/10_2/TremblayMa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Marcelle Deschênes (https://www.econtact.ca/10_2/DeschenesMa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Margaret Lancaster (https://www.econtact.ca/13_2/LancasterMa_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Maria Chavez: Chance and turntablism(s), or, the turntable just happened to be there (https://www.econtact.ca/14_3/neumann_chavez.html)
by Daniel Neumann, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Interview with Mario Davidovsky, Argentine-American Composer: Generation One at the Columbia-Princeton Electronic Music Center (https://www.econtact.ca/15_4/gluck_davidovsky.html)
by Bob Gluck, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Interview with Marlos Nobre, Brazilian Composer: Acoustic composers also need to know about electronic music (https://www.econtact.ca/19_3/gluck_nobre.html)
by Bob Gluck, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Interview with Maryanne Amacher, American Composer and Sound Artist: A unique sensitivity to sound (https://www.econtact.ca/18_3/gluck_amacher.html)
by Bob Gluck, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Interview with Matt Borghi: Mootor City (being emergent III) (https://www.econtact.ca/10_2/BorghiMa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Matt Rogalsky, Canadian Composer: Humanizing inhumane spaces (https://www.econtact.ca/18_2/palumbo_rogalsky.html)
by Michael Palumbo, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Interview with Maxime Corbeil-Perron and Guillaume Barrette: Victoria to Vancouver on the CEC@25 tour (https://www.econtact.ca/15_3/chippewa_victoria.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Interview with Michel Longtin (https://www.econtact.ca/10_2/LongtinMi_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Myke Roy (https://www.econtact.ca/10_2/RoyMy_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Neil B. Rolnick: This changing thing is my instrument (https://www.econtact.ca/10_2/RolnickNe_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Nick Didkovsky: Bowel Town; The Love Bug (https://www.econtact.ca/13_4/kalvos_damian_didkovsky_2000.html)
by Dennis Báthory-Kitsz and David Gunn, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Interview with Nick Didkovsky: Pop Rox Pox, I; Pop Rox Pox, II (https://www.econtact.ca/13_3/kalvos_damian_didkovsky_1997.html)
by Dennis Báthory-Kitsz and David Gunn, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Interview with Nicolas Collins: Czar Nicolas, the Tunguska Fireball; Œdipus nix (https://www.econtact.ca/10_2/CollinsNi_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Nicolas Collins, American Composer: Going back to the year zero (https://www.econtact.ca/18_2/palumbo_collins.html)
by Michael Palumbo, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Interview with Otto Joachim (https://www.econtact.ca/10_2/JoachimOt_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Pamela Z: Hello? Hello? Hello? (https://www.econtact.ca/10_2/ZPamela_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Paul Dolden (https://www.econtact.ca/10_2/DoldenPa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Paul Lansky: Room to move (https://www.econtact.ca/10_2/LanskyPa_Uechi.html)
by Jason Uechi, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Paul Steenhuisen (https://www.econtact.ca/10_2/SteenhuisenPa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Pauline Oliveros: Lawrence Welk used a little stick (https://www.econtact.ca/10_2/OliverosPa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Peter Beyls: Who Beyls us out? (https://www.econtact.ca/10_2/BeylsPe_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Peter Bosch, Dutch Installation Artist: More instinct than science (https://www.econtact.ca/18_2/palumbo_bosch.html)
by Michael Palumbo, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Interview with Phil Kline (https://www.econtact.ca/13_2/KlinePh_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Phil Kline: The twelfth root of boom (https://www.econtact.ca/10_2/KlinePh_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Philip Mead, British Pianist: Performing music for piano and electronics (https://www.econtact.ca/14_4/pestova_mead.html)
by Xenia Pestova, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Interview with Philippe Ménard (https://www.econtact.ca/10_2/MenardPh_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Pierre Alexandre Tremblay (https://www.econtact.ca/13_2/TremblayPA_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with R. Benjamin Knapp and Eric Lyon: The Biomuse Trio in conversation (https://www.econtact.ca/14_2/ouzounian_biomuse.html)
by Gascia Ouzounian, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Interview with Randall Smith (https://www.econtact.ca/10_2/SmithRa_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Rhys Chatham, American Composer: Monday nights at the Kitchen were dark. Until… (https://www.econtact.ca/19_3/gluck_chatham.html)
by Bob Gluck, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Interview with Richard McKenzie (https://www.econtact.ca/13_2/McKenzieRi_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Richard Zvonar: Diablo talker (https://www.econtact.ca/10_2/ZvonarRi_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Robert Duckworth: Broken Streams (https://www.econtact.ca/13_4/kalvos_damian_duckworth_2001.html)
by Dennis Báthory-Kitsz and David Gunn, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Interview with Robert Normandeau (https://www.econtact.ca/10_2/NormandeauRo_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Robert Normandeau (https://www.econtact.ca/11_2/normandeauro_ogborn.html)
by David Ogborn, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Interview with Robert Normandeau (https://www.econtact.ca/13_3/woloshyn_normandeau_2011.html)
by Alexa Woloshyn, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Interview with Robert Normandeau: Multi-track composing as an extension of musique concrète writing (https://cec.sonus.ca/Takes/Ned.html#ENGLISH)
by Ned Bouhalassa, in 2.4 — Diffusion multicanal 1 / Multi-Channel Diffusion 1 (https://www.econtact.ca/2_4/index.html) (1999)
Interview with Sarah Peebles: Music unseen; Rhythm and blows (https://www.econtact.ca/10_2/PeeblesSa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Scott Johnson: Art music happens (https://www.econtact.ca/10_2/JohnsonSc_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Sebastian Buczek: Plastik Fantastik (https://www.econtact.ca/14_3/schick_buczek.html)
by Ignaz Schick, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Interview with Sergio Barroso (https://www.econtact.ca/10_2/BarrosoSe_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Shahrokh Yadegari (https://www.econtact.ca/12_2/YadegariSh_Zelli.html)
by Bijan Zelli, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interview with Shawn Pinchbeck, Composer / Sound Artist: Development of a collaborative and experimental artistic community in Edmonton (https://www.econtact.ca/15_3/chippewa_pinchbeck.html)
by jef chippewa, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Interview with Simon Emmerson (https://www.econtact.ca/10_2/EmmersonSi_Palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Stelarc: “Fractal Flesh”, alternate anatomical architectures (https://www.econtact.ca/14_2/donnarumma_stelarc.html)
by Marco Donnarumma, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Interview with Stéphane Roy (https://www.econtact.ca/10_2/RoySt_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Stephanie Moore, Canadian Composer: Nocturnal worlds (https://www.econtact.ca/18_2/palumbo_moore.html)
by Michael Palumbo, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Interview with Steve Heimbecker (https://www.econtact.ca/9_2/heimbecker_fr.html)
by Vincent Bonin, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Interview with Susan Frykberg (https://www.econtact.ca/10_2/FrykbergSu_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with sylvi macCormac: Yo! Able Dis! (https://www.econtact.ca/10_2/macCormacSy_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Tony Martin, Liquid Light Artist and Painter: A Visual language of enormous and tiny, brilliant and slimy, dark and fuzzy (https://www.econtact.ca/21_1/gluck_martin.html)
by Bob Gluck, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
Interview with Trudi Le Caine (https://www.econtact.ca/10_2/LeCaineTr_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Tzvi Avni, Israeli Composer: Go find your own tricks! (https://www.econtact.ca/14_4/gluck_avni.html)
by Bob Gluck, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Interview with Udo Kasemets: Time trip to Hale-Bopp... and back (https://www.econtact.ca/10_2/KasemetsUd_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Vinyl Terror & Horror: Worst-case scenario (https://www.econtact.ca/14_3/engstrom_vinylterrorhorror.html)
by Andreas Engström, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Interview with Warren Burt: The coming of spring; Heat wave (https://www.econtact.ca/10_2/BurtWa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Wendalyn Bartley, Canadian Composer: Remaining silent… listening (https://www.econtact.ca/18_2/palumbo_bartley.html)
by Michael Palumbo, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Interview with Wende Bartley (https://www.econtact.ca/10_2/BartleyWe_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Xenia Pestova (https://www.econtact.ca/13_2/PestovaXe_Berweck.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interview with Yannis Kyriakides: The mysterious Yanni; Physicality (https://www.econtact.ca/10_2/KyriakidesYa_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interview with Yves Daoust (https://www.econtact.ca/10_2/DaoustYv_Bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interviews (https://www.econtact.ca/13_2/berweck_interviews.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Interviews [wiki]: List of interviews with electroacoustic composers, performers, programmers and more (http://cecpublic.pbworks.com/Interviews)
by CEC, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Interviews by John Palmer (https://www.econtact.ca/10_2/interviews_palmer.html)
by John Palmer, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interviews by Kalvos and Damian (https://www.econtact.ca/10_2/interviews_KD.html)
by Dennis Báthory-Kitsz and David Gunn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interviews by Ned Bouhalassa (https://www.econtact.ca/10_2/interviews_bouhalassa.html)
by Ned Bouhalassa, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Interviews by The Canadian Music Centre: The “Influences of Many Musics” Project (https://www.econtact.ca/10_2/interviews_CMC.html)
by CMC, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Introduction aux fondements, aux technologies et aux applications potentielles de la synthèse de champs acoustiques pour la spatialisation audio sur réseaux de haut-parleurs [pdf] (https://www.econtact.ca/7_2/gauthier-etal_champacoustique.pdf)
by Philippe-Aubert Gauthier, Alain Berry and Wieslaw Woszczyk, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
Inventionen / SMC08 (Berlin) (https://www.econtact.ca/10_4/chippewa_inventionen08.html) [Photo Essay]
by jef chippewa, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Investigating Audience Reception of Electroacoustic Audio-visual Compositions: Developing an Effective Methodology (https://www.econtact.ca/12_4/hill_reception.html)
by Andrew Hill, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Investigative Studies on Sound Diffusion/Projection at the University of Illinois: A Report on an explorative collaboration (https://www.econtact.ca/2_4/Investigative.htm)
by Scott A. Wyatt, in 2.4 — Diffusion multicanal 1 / Multi-Channel Diffusion 1 (https://www.econtact.ca/2_4/index.html) (1999)
Is Ableton Open Source? (https://www.econtact.ca/11_3/behles_ableton.html)
by Gerhard Behles, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Is there a Québec Sound? [pdf] (https://www.econtact.ca/6_2/dhomont_quebecsound.pdf)
by Francis Dhomont, Trans. Ned Bouhalassa and Kevin Austin, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
It’s Not an Instrument, It’s an Ensemble: A Parallel approach to modular synthesizer design (https://www.econtact.ca/17_4/hyde_ensemble.html)
by Joseph Hyde, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Je me souviens (https://www.econtact.ca/10_x/report_souviens_fr.html) [Compte rendu]
by Timothy Sutton, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Je me souviens (https://www.econtact.ca/10_x/report_souviens.html) [Report]
by Timothy Sutton, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Journal de bord d’une expédition aux antipodes : La création de la bande sonore de « Pôles » (https://www.econtact.ca/1_1/bertrand_poles_fr.html)
by Ginette Bertrand, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Journal de bord d’une expédition aux antipodes: The composition of “Pôles” (https://www.econtact.ca/1_1/bertrand_poles.html)
by Ginette Bertrand, Trans. Kevin Austin (English summary), in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Journées de la composition électroacoustique 2005 : Table ronde au CNSMD de Lyon le 11 octobre 2005 (https://www.econtact.ca/8_4/eloy.html)
modéré parmodéré par Christian Eloy, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Just Outside our Hearing (https://www.econtact.ca/16_2/loh_hearing.html)
by Joleen Loh, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Karlheinz Stockhausen’s “Kontakte” and Narrativity (https://www.econtact.ca/2_2/Dack.htm)
by John Dack, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
Katharine Norman — London (1996) (https://www.econtact.ca/1_1/copeland_norman.html) [CD]
by Darren Copeland, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Katharine Norman — London (1996) (https://www.econtact.ca/1_1/copeland_norman_fr.html) [CD]
by Darren Copeland, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Kent Sparling — Route Canal Diary (1997) (https://www.econtact.ca/1_2/sparlingCD.html) [CD]
by Jean Routhier, in 1.2 — SEAMUS: Society for Electro-Acoustic Music in the United States (https://www.econtact.ca/1_2/index.html) (1998)
KERNEL : L’histoire d’un ensemble d’ordinateurs, projet de pensée électronique (https://www.econtact.ca/21_1/toeplitz_kernel_fr.html)
by Kasper T. Toeplitz, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
Keyboard + Live EA [wiki] (http://cecpublic.pbworks.com/KeyboardLiveEA)
by CEC, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Keyboard + Live EA [wiki]: Bibliography (http://cecpublic.pbworks.com/KeyboardLiveEABibliography)
by CEC, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Keyboard + Live EA [wiki]: Toy Piano + EA Repertoire (http://cecpublic.pbworks.com/ToyPianoEA)
by CEC, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Kontakte by Karlheinz Stockhausen in Four Channels (https://cec.sonus.ca/econtact/12_4/kontakte/index.php)
by Kevin Austin, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Kwik Picks 01: Recent additions to Sonus.ca, the CEC’s online EA Jukebox (https://www.econtact.ca/8_2/Kevin.html) [SONUS]
by Kevin Austin, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Kwik Picks 02: Recent additions to Sonus.ca, the CEC’s online EA Jukebox (https://www.econtact.ca/8_3/Kevin.html)
by Kevin Austin, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Kwik Picks 03: Recent additions to Sonus.ca, the CEC’s online EA Jukebox (https://www.econtact.ca/8_4/austin_picks.html) [SONUS]
by Kevin Austin, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Kwik Picks 04: Recent additions to Sonus.ca, the CEC’s online EA Jukebox (https://www.econtact.ca/9_2/austin.html) [SONUS]
by Kevin Austin, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Kwik Picks 05: Recent additions to Sonus.ca, the CEC’s online EA Jukebox (https://www.econtact.ca/9_3/picks.html) [SONUS]
by Kevin Austin, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Kwik Picks 06: Recent additions to Sonus.ca, the CEC’s online EA Jukebox (https://www.econtact.ca/9_4/picks.html) [SONUS]
by Kevin Austin, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Kwik Picks 07: Recent additions to Sonus.ca, the CEC’s online EA Jukebox (https://www.econtact.ca/10_3/austin_kwikpicks07.html) [SONUS]
by Kevin Austin, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Kwik Picks 08 — JTTP 2011: Recent additions to Sonus.ca, the CEC’s online EA Jukebox (https://www.econtact.ca/14_2/austin_kwikpicks08.html) [SONUS]
by Kevin Austin, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
L’écriture acousmatique : Rappels et questionnements (https://www.econtact.ca/12_4/dhomont_acousmatique.html)
by Francis Dhomont, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
L’électroacoustique au Canada (https://www.econtact.ca/3_4/ElectroAuCanada.htm)
by Jean-François Denis, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
La bibliothèque de bandes du studio UTEMS : University of Toronto, Electronic Music Studio (https://www.econtact.ca/10_x/archive_utems_fr.html)
by Dennis Patrick, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
La mort de la chanteuse : Le statut d’auteur et les voix de femmes dans la musique électronique (https://www.econtact.ca/1_3/Bosma_fr.html)
by Hannah Bosma, Trans. Yves Charuest, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
La nature du son en perspective (https://www.econtact.ca/11_2/piche_natureduson.html)
by Claire Piché, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
La pratique du mastering en électroacoustique [pdf] (https://cec.sonus.ca/pdf/La_pratique_du_Mastering.pdf)
by R. Dominique Bassal, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
La réutilisation de données dans les pratiques artistiques de sonification (https://www.econtact.ca/21_2/coovisirois-etal_sonification_fr.html)
by Simon Coovi-Sirois, Guillaume Boutard and Nicolas Bernier, in 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices / Dématérialisation de l’objet sonore : Approches conceptuelles des pratiques artistiques centrées sur le son (https://www.econtact.ca/21_2/index.html) (July 2023)
La synthèse musicale inspirée de la physique des instruments de musique : Considérations techniques et musicales (https://www.econtact.ca/7_2/gauthier_synthese.html)
by Philippe-Aubert Gauthier, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
Lab Report: Die 50 Skulpturen des Institut für Feinmotorik (https://www.econtact.ca/14_3/feinmotorik_labreport.html)
by Institut für Feinmotorik, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Lachine Canal: Journées Sonores (https://www.econtact.ca/6_2/mccartney_lachine.html)
by Andra McCartney, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
LANdini: A Networking utility for wireless LAN-based laptop ensembles (https://www.econtact.ca/16_3/narveson-trueman_landini.html)
by Jascha Narveson and Dan Trueman, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Latin American Electroacoustic Music Collection: The Daniel Langlois Foundation for Art, Science and Technology in Montréal (https://www.econtact.ca/10_x/archive_latinamerica.html)
by Ricardo Dal Farra, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Launch Concert for the Concordia Archival Project (CAP) (https://cec.sonus.ca/education/archive/launch/sonusgallery_CAP.html) [Sonus Gallery]
by jef chippewa and Kevin Austin, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Le “documentaire acousmatique” et ses moyens de diffusion : Un regard sur le “Projet Archipel” (https://www.econtact.ca/18_4/campion-cote_archipel.html)
by Guillaume Campion and Guillaume Côté, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Le mastering d’« Epiphanie Sequence » : Quelques réflexions (https://www.econtact.ca/9_3/anderson_fr.html)
by Joseph Anderson, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Le mastering en électroacoustique / Sound Mastering for Electroacoustics (https://www.econtact.ca/6_3/bassal_mastering.html)
by R. Dominique Bassal, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
Le mixtering : Modèle de travail pour une qualité sonore accrue en électroacoustique (https://www.econtact.ca/9_3/tremblay_bassal.html)
by R. Dominique Bassal and Pierre Alexandre Tremblay, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Le Projet d’archivage Concordia (PAC) : Restauration, archivage, et présentation en ligne de l’histoire de la musique électroacoustique canadienne (https://www.econtact.ca/10_x/cap_fr.html)
by jef chippewa and Yves Gigon, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Le Projet d’archivage Concordia (PAC), eLearning : Activités d’apprentissage (https://cec.sonus.ca/education/archive/elearning/module_act/index_fr.html)
by CEC, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Le Projet d’archivage Concordia (PAC), eLearning : Introduction (https://cec.sonus.ca/education/archive/elearning/introduction/index_fr.html)
by CEC, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Le Projet d’archivage Concordia (PAC), eLearning : Module 1. La collection dans l’histoire de l’électroacoustique (https://cec.sonus.ca/education/archive/elearning/module1/index_fr.html)
by CEC, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Le Projet d’archivage Concordia (PAC), eLearning : Module 2. Écoute dirigée des pièces de la collection (https://cec.sonus.ca/education/archive/elearning/module2/index_fr.html)
by CEC, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Le Projet d’archivage Concordia (PAC), eLearning : Module 3. Processus d’archivage de la collection (https://cec.sonus.ca/education/archive/elearning/module3/index_fr.html)
by R. Dominique Bassal, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Learning to Listen: Composing on Hugh Le Caine’s instruments in UTEMS ca. 1962 (https://www.econtact.ca/17_2/aitken_lecaine.html)
by Robert Aitken, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Le Caine, Mirrored Through Memory (https://www.econtact.ca/17_2/austin_lecaine.html)
by Kevin Austin, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Leo Kupper — Ways of the Voice (1999) (https://www.econtact.ca/3_4/WaysVoice.htm) [CD]
by Warren Burt, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
Les archives du Center for Contemporary Music : Mills College à Oakland, Californie (https://www.econtact.ca/10_x/archive_ccm_fr.html)
by Maggi Payne, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Les Archives Michael Gerzon et le projet Archival Sound Recordings de la British Library (https://www.econtact.ca/10_x/archive_britishlibrary_fr.html)
by Paul Wilson and Adam Tovell, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Les ondes cachées entre le son et la lumière : Détournements de cellules solaires dans « Scanner Me, Darkly » (https://www.econtact.ca/20_3/castonguay_scannerme_fr.html)
by Stephanie Castonguay, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
Les quatre niveaux de réception d’une œuvre électroacoustique (https://www.econtact.ca/12_4/platel_reception.html)
by Charles Edouard Platel, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Letter of Support (https://www.econtact.ca/4_2/fumarola.htm)
by Martín Alejandro Fumarola, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Letter of Support (https://www.econtact.ca/4_2/lanza.htm)
by alcides lanza, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Letter of Support (https://www.econtact.ca/4_2/truax.htm)
by Barry D. Truax, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Letter of Support (https://www.econtact.ca/4_2/wyatt.htm)
by Scott A. Wyatt, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Letter of Support: President of the Society for Electro-Acoustic Music in the United States (SEAMUS) (https://www.econtact.ca/4_2/nelson.htm)
by Jon Christopher Nelson, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
“LEXICON” — Behind the Curtain (https://www.econtact.ca/15_4/lewis_lexicon.html)
by Andrew P. Lewis, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Liens Audio et technologie / Audio and Technology Links (https://cec.sonus.ca/links/audio_tech.html)
by CEC, in 2.4 — Diffusion multicanal 1 / Multi-Channel Diffusion 1 (https://www.econtact.ca/2_4/index.html) (1999)
Linux Audio Conference (Berlin, 22–25 March 2007) (https://www.econtact.ca/9_4/iber_eng.html) [Report]
by Michael Iber, Trans. jef chippewa, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Linux Audio-Konferenz (Berlin, 22.–25. März 2007) (https://www.econtact.ca/9_4/iber_de.html) [Report]
by Michael Iber, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Listening to Radio Plays: Fictional soundscapes (https://www.econtact.ca/5_3/beck_listening.html)
by Michael Gogins, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Live Ambisonic Beta: A design for quick and evocative live spatialization of multiple inputs (https://www.econtact.ca/11_4/dodge_ambisonics.html)
by Carey Dodge, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Live and Non-Realtime Source Separation Effects for Electroacoustic Music (https://www.econtact.ca/16_3/collins_separation.html)
by Nick Collins, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Live Coding Choreography with Terpsicode: Enabling agency for the human interpreter (https://www.econtact.ca/21_1/sicchio_terpsicode.html)
by Kate Sicchio, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
Live Sound Spatialization and On-Stage Feedback Control: Cues for the development of interaction between acoustic and electronic musicians (https://www.econtact.ca/18_4/dallaramajek-toninato_interaction.html)
by Ana Dall’Ara-Majek and Ida Toninato, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Lo-Fi Adventures in Obsolete Media (https://www.econtact.ca/12_3/holopainen_obsolete.html)
by Risto Holopainen, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Lo-Fi Cartridge Construction and Function of the Constraint (https://www.econtact.ca/14_3/andrews_cartridge.html)
by Ian Andrews, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
loadbang: Programming Electronic Music in Pure Data (Johannes Kreidler) (https://www.econtact.ca/11_3/zmoelnig_loadbang.html) [Book]
by IOhannes Zmölnig, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Looking Back, Looking Forward: Reflecting on the past for a notation of the future (https://www.econtact.ca/19_3/aska-ritter_notationparallels.html)
by Alyssa Aska and Martin Ritter, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Lost in Transformation: Composer as translator (https://www.econtact.ca/16_3/obrien_translation.html)
by Benjamin O’Brien, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Low-Watt Radio and the Technological Mediation of the Voice: Or, Radio, voice and the sonic commons (https://www.econtact.ca/20_3/kennedy_radio.html)
by Kathy Kennedy, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
Lumia and Visual Music: Using Thomas Wilfred’s Lumia factors to inform audiovisual composition (https://www.econtact.ca/19_2/payling_lumia.html)
by Dave Payling, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Lumière, matière, science, fiction : réflexions sur la relation son et lumière dans le cycle d’œuvres « frequencies » (https://www.econtact.ca/19_2/bernier_frequencies.html)
by Nicolas Bernier, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
M2 Diffusion: The Live diffusion of sound in space (https://www.econtact.ca/7_4/moore-mooney_m2diffusion.html)
by Adrian J. Moore, Dave Moore and James Mooney, in 7.4 — Diffusion multi-canal 2 / Multi-Channel Diffusion 2 (https://www.econtact.ca/7_4/index.html) (May 2005)
Making Contact (https://www.econtact.ca/9_4/eves.html)
by David Eves, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Making the Makestra: Repurposed, bio-electronic and 3D-printed instruments (https://www.econtact.ca/18_3/maujean-tsang_makestra.html)
by Jean-Michel Maujean and Cissi Tsang, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Marcelle Deschênes: Marcelle the multifaceted (https://www.econtact.ca/7_3/mountain_deschenes.html)
by Rosemary S. Mountain, in 7.3 — Grandes figures canadiennes 1 / Canadian Figures 1 (https://www.econtact.ca/7_3/index.html) (March 2005)
Marcelle Deschênes — Indigo: Biography and Analysis (https://www.econtact.ca/11_2/griffiths_deschenes.html) [Entrées]
by Todd Griffiths, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Marco Donnarumma (https://www.econtact.ca/14_2/donnarumma_gallery.html) [Gallery]
by Marco Donnarumma, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Maria Chavez (https://www.econtact.ca/14_3/chavez_gallery.html) [Gallery]
by Maria Chavez, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Martin Howse (https://www.econtact.ca/16_4/howse_gallery.html) [Gallery]
by Martin Howse, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Martin Tétreault’s Turntable Quartet in Akousma 9 (https://www.econtact.ca/14_3/sannicandro_akousma.html) [Report]
by Joseph Sannicandro, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Mary Lee Roberts — 6 Compositions (1997) (https://www.econtact.ca/3_3/6Compositions.htm) [CD]
by Warren Burt, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Mastering (https://www.econtact.ca/6_3/bassal_mastering_en.html)
by R. Dominique Bassal, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
Mastering (https://www.econtact.ca/6_3/bassal_mastering.html)
by R. Dominique Bassal, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
Mastering the “Epiphanie Sequence”: A few words or so (https://www.econtact.ca/9_3/anderson.html)
by Joseph Anderson, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Mastering the Mutable: Music, technology and change (https://www.econtact.ca/16_3/naylor_mastery.html)
by Steven Naylor, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Masterpiecing Electroacoustic Music: Pedagogical reflections from a musicological perspective (https://www.econtact.ca/13_3/cox_masterpiecing.html)
by Cathy Cox, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Max/MSP vs. the iPhone: Two compositional approaches to the use of live electronics (https://www.econtact.ca/13_2/tutschku_liveEA.html)
by Hans Tutschku, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Maxine Banerji: The mutually beneficial practices of youth development and interactive music system development (https://www.econtact.ca/12_3/banerji_maxine.html)
by Ritwik Banerji, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Metal Machine Music: The Phonograph’s Voice and the Transformation of Writing (https://www.econtact.ca/14_3/heumann_phonograph.html)
by Michael Heumann, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Michel Waisvisz (1949–2008) (https://www.econtact.ca/10_4/memoriam_waisvisz.html) [In Memoriam]
by VA, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Micheline Coulombe Saint-Marcoux et Marcelle Deschênes : Pionnières dans le sentier de la création électroacoustique (https://www.econtact.ca/11_2/lefebvre_marcoux_deschenes.html)
by Marie-Thérèse Lefebvre, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Miniature Form in Electroacoustic and (Instrumental) New Music: A Typology supported by an audio gallery in order to establish a conclusive definition of “miniature form” (https://www.econtact.ca/16_3/chippewa_miniature.html)
by jef chippewa, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
“Mirlitones”, a Fragile and Complex Sonorous System (https://www.econtact.ca/18_2/bosch-simons_mirlitones.html)
by Peter Bosch and Simone Simons, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Mise à jour 2001 (https://www.econtact.ca/4_2/1_fr.htm)
by Shannon Peet, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Mixtering: A working model for an enhanced sound quality in electroacoustics (https://www.econtact.ca/9_3/tremblay_bassal_e.html)
by R. Dominique Bassal and Pierre Alexandre Tremblay, Trans. jef chippewa, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Mobile Gesture-Controlled Speech Synthesis for Performance (https://www.econtact.ca/11_2/pritchard_fels_mobile.html)
by Bob Pritchard and Sidney Fels, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
“Mockingbird”: Abstracted confessions through political music (https://www.econtact.ca/18_2/garbet_mockingbird.html)
by Brian Garbet, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
“MODULO”: A Musical Documentary and Tribute to Hugh Le Caine (https://www.econtact.ca/17_2/boisvenue-gibson_modulo.html)
by Travis Boisvenue and Ryan Paul Gibson, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Moving Beyond the Weird, Creepy and Indescribable: Pedagogical principles and practices for listening to electroacoustic music in the general education classroom (https://www.econtact.ca/18_2/woloshyn_pedagogy.html)
by Alexa Woloshyn, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Much Ado About Loudness (https://www.econtact.ca/8_3/fernandes.html)
by Gavin Fernandes, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Multi-Agency and Real-Time Composition in “In Equilibrio” (https://www.econtact.ca/11_4/eigenfeldt_multiagency.html)
by Arne Eigenfeldt, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Mundus Imaginalis: Artistic statement and artist biographies (https://www.econtact.ca/5_3/soundplay2002_mundusimaginalis.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Musebots: Collaborative composition with creative systems (https://www.econtact.ca/20_2/eigenfeldt_creativesystems.html)
by Arne Eigenfeldt, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
Music for Lamps (2012–16) (https://www.econtact.ca/19_2/basanta-stein-stein_lamps.html) [Gallery]
by Adam Basanta, Julian Stein and Maxwell Stein, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
music for voice [personal recollections]: Compositional Process using Text/Voice and Tape (https://www.econtact.ca/1_3/lanza.html)
by alcides lanza, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
Music in the Wilderness (https://www.econtact.ca/9_2/alain.html)
by Carrie Faith Alain, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Musical Behaviours: Algorithmic composition via plug-ins (https://www.econtact.ca/18_2/degazio_behaviours.html)
by Bruno Degazio, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Musical Structure, Shifting Perspectives and Composition (https://www.econtact.ca/3_3/MusicalStructure.htm)
by Natasha L. Barrett, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Musicians at Play: Collaboration between performers and composers in the creation of mixed electroacoustic music (https://www.econtact.ca/15_2/hron_collaboration.html)
by Terri Hron, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Musicians Tackle Tinnitus (https://www.econtact.ca/9_4/dupriest.html)
by Jennifer DuPriest, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Musique Acousmatique and Imaginary Spaces (https://www.econtact.ca/13_3/zelli_acousmatique.html)
by Bijan Zelli, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Musique acousmatique : continuité ou rupture? (https://www.econtact.ca/11_4/vandegorne_keynote_fr.html) [Keynote]
by Annette Vande Gorne, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Musique électroacoustique en Argentine : Plaidoyer pour l’écoute de la musique de Carmelo Saitta (https://www.econtact.ca/10_3/sad_argentina.html)
by Jorge Sad, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
musique pour voix [souvenirs personnels] : Processus de composition utilisant la voix/texte et bande (https://www.econtact.ca/1_3/lanza_fr.html)
by alcides lanza, Trans. Yves Gigon, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
Musique visuelle : De la musique au-delà des frontières du son (https://www.econtact.ca/15_4/saintdenis_musiquevisuelle.html)
by Patrick Saint-Denis, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Musiques du temps présent (https://www.econtact.ca/6_2/asselin_tempspresent.html) [Report]
by Vivianne Padiernos Asselin, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
Mutations (megamix): Exploring Notions of the “DJ set”, “Mashup” and “Remix” through Live Piano-based Performance (https://www.econtact.ca/13_2/ratcliffe_mutations.html)
by Robert Ratcliffe, Jonathan Weinel and Zubin Kanga, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Mutek 2008 (https://www.econtact.ca/10_2/report_mutek08.html) [Report]
by Greg J. Smith, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
My Cyber Chamber Music Partner: A Project for piano, electronics and video (https://www.econtact.ca/13_2/nakamura_cyberpartner.html)
by Rei Nakamura, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
My Personal Long-Playing History of the LP (https://www.econtact.ca/18_4/oswald_personalhistory-LP.html)
by John Oswald, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
MyPic: A Tool for computer-assisted algorithmic composition (https://www.econtact.ca/16_3/swilley_mypic.html)
by Daniel Swilley, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Mystery Tapes — My Desert Island Vinyl Collection (https://www.econtact.ca/14_3/oswald_desertisland.html) [Commentary]
by John Oswald, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
National Campus and Community Radio Association: NCRA stations and music director contacts (https://www.econtact.ca/2_3/NCRA.htm)
by CEC, in 2.3 — Radiophonique / Radiophonic (https://www.econtact.ca/2_3/index.html) (1999)
Ne détruisez pas les archives! (https://www.econtact.ca/10_x/gerzon_archive_fr.html)
by Michael Gerzon, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Ne pas dépendre du futur, tant que nous n’y sommes pas (https://www.econtact.ca/10_x/bathorykitsz_preservation_fr.html)
by Dennis Báthory-Kitsz, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Negative Money: Care Of Editions (https://www.econtact.ca/16_4/schultz_negativemoney.html)
by Gary Schultz, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Negotiating Shared Live Coding Practices in SuperContinent, an Online Laptop Ensemble (https://www.econtact.ca/21_1/knotts-etal_supercontinent.html)
by Shelly Knotts, Celeste Betancur, Abhinay Khoparzi, Melanie Laubscher, Mynah Marie, David Ogborn, Chiho Oka and Eldad Tsabary, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
New Behaviours and Strategies for the Performance Practice of Real-Time Notation (https://www.econtact.ca/19_3/shafer_realtimenotation.html)
by Seth Shafer, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
new eyes — for [single] player (2017) (https://www.econtact.ca/19_2/siu_neweyes.html) [Gallery]
by Remy Siu, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
NIME 2010 (https://www.econtact.ca/12_4/report_nime2010.html) [Report]
by Bob Pritchard, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
“No Time for Silence” (https://www.econtact.ca/4_3/Fenner2.html)
by Victoria Fenner, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
Noise as Form (https://www.econtact.ca/9_4/feiler2.html)
by Dror Feiler, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Noise can be Harmful to your Health (https://www.econtact.ca/9_4/shepherd.html)
by David Shepherd, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Noise-Induced Hearing Loss (https://www.econtact.ca/9_4/wynne.html)
by John Wynne, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Noise, Nonsense, and the New Media Soundscape (https://www.econtact.ca/11_4/bakht_newmedia.html)
by Salman Bakht, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Observation at the “Into the Soundscape III” Concert (https://www.econtact.ca/6_4/Chen.html)
by Will Gay Bottje, in 6.4 — Analyse électroacoustique / Analyses of Electroacoustics (https://www.econtact.ca/6_4/index.html) (2003–04)
Observer le processus de constitution d’une notation musicale en direct (https://www.econtact.ca/19_3/gayou_notation_fr.html)
by Évelyne Gayou, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Observing in Real Time the Making of a New System of Musical Notation (https://www.econtact.ca/19_3/gayou_notation.html)
by Évelyne Gayou, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Ohr-Weide — Salix aurita: A Work for 150 floating loudspeakers by île flottante (https://www.econtact.ca/20_3/beidler_ohrweide.html)
by Lilian Beidler, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
On Light Music Before Cinema (https://www.econtact.ca/19_2/saintdenis_lightmusic.html)
by Patrick Saint-Denis, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
On Mentoring Composition Students (https://www.econtact.ca/8_4/norman.html)
by Katharine Norman, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
On the Brink of (In)visibility: Granulation techniques in visual music (https://www.econtact.ca/15_4/garro_granulation.html)
by Diego Garro, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
On the Webcasting of Harvest Moon 2005; Interview with Sound Engineer Mark Corwin (https://www.econtact.ca/8_3/sutton.html)
by Timothy Sutton, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
“One at a Time by Voice”: Performing with the voice-controlled interface for digital musical instruments (https://www.econtact.ca/16_2/fasciani-wyse_vci4dmi.html)
by Stefano Fasciani and Lonce LaMar Wyse, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Open Source Software and Electroacoustic Music Creation: An overview and personal practices (https://www.econtact.ca/10_3/centeno_opensource.html)
by Hector Centeno, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Open Source Travel Guide [wiki]: A Free Software Travel Guide (http://cecpublic.pbworks.com/OpensourceEditorial)
by Jörn Nettingsmeier, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Open Source Travel Guide [wiki]: Bibliography (http://cecpublic.pbworks.com/OpensourceBibliography)
by Jörn Nettingsmeier and jef chippewa, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Open Source Travel Guide [wiki]: Getting There (http://cecpublic.pbworks.com/OpensourceTravel)
by Jörn Nettingsmeier and jef chippewa, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Open Source Travel Guide [wiki]: Index (http://cecpublic.pbworks.com/OpenSource)
by Jörn Nettingsmeier and jef chippewa, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Open Source Travel Guide [wiki]: Language (http://cecpublic.pbworks.com/OpensourceLanguage)
by Jörn Nettingsmeier and jef chippewa, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Open Source Travel Guide [wiki]: People and Community (http://cecpublic.pbworks.com/OpensourcePeople)
by Jörn Nettingsmeier and jef chippewa, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Oral History Project: The Video Archive of the Electroacoustic Music (https://www.econtact.ca/12_2/interviews_chasalow_cassidy.html)
by Eric Chasalow and Barbara Cassidy, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
Oral History Project: The Video Archive of the Electroacoustic Music (https://www.econtact.ca/8_4/video_archive.html)
curated bycurated by Eric Chasalow and Barbara Cassidy, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Organizing for Emergence: Computer vision and data mining as co-creative devices (https://www.econtact.ca/20_2/connors_emergence.html)
by Teresa Connors, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
Oscillations 2005, Festival of Electroacoustic Music (https://www.econtact.ca/8_3/naylor.html) [Report]
by Steven Naylor, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Oscillations 2008 Festival (https://www.econtact.ca/10_3/report_oscillations08.html) [Report]
by Steven Naylor, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Other Voices, Other Bodies: Considerations for sound creation within the technology-enabled listening environment (https://www.econtact.ca/12_3/gee_voices.html)
by Erin Gee, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Où l’eau rencontre… (https://www.econtact.ca/1_1/mccartney_water_fr.html)
by Andra McCartney, Trans. Yves Gigon, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Parallel Trajectories in Manfred Stahnke’s Internet Opera “Orpheus kristall” (https://www.econtact.ca/18_4/bargrizan_stahnke.html)
by Navid Bargrizan, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Partch Harp: Description of two special tunings for the acoustic harp and Yamaha DX7-II FD Synthesizer (https://www.econtact.ca/13_2/stahnke_partchharp.html)
by Manfred Stahnke, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
“Participle Dangling, in Honour of Gertrude Stein”: Composing with Hugh Le Caine’s Special Purpose Tape Recorder at UTEMS in 1966 (https://www.econtact.ca/17_2/oliveros_lecaine.html)
by Pauline Oliveros, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Paul Lansky — The Lesson (1989) (https://www.econtact.ca/10_4/tsabary_treasures03.html) [Rediscovered Treasures]
by Eldad Tsabary, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Pauline Oliveros — Alien Bog (1967) / Beautiful Soop (1966) (https://www.econtact.ca/1_1/hinkle-turner_oliveros.html) [CD]
by Elizabeth Hinkle-Turner, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Pauline Oliveros — Alien Bog (1967) / Beautiful Soop (1966) (https://www.econtact.ca/1_1/hinkle-turner_oliveros_fr.html) [CD]
by Elizabeth Hinkle-Turner, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Perceived Control and Mimesis in Digital Musical Instrument Performance (https://www.econtact.ca/14_2/brent_mimesis.html)
by William Brent, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Perceptual Benchmarks (https://www.econtact.ca/9_3/benchmarks.html)
by R. Dominique Bassal, Trans. jef chippewa, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Performance of Bill Thompson’s dismantle for laptop (solo) (https://www.econtact.ca/12_3/thompson_dismantle_photos.html) [Photo Gallery]
by Bill Thompson, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Performing the Listener: Utilizing auditory distortion products in the compositional process (https://www.econtact.ca/20_3/connolly_otoacoustic.html)
by Brian Connolly, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
Petit guide de la musique des ondes cérébrales : Quarante années de recherche et d’expérimentation (https://www.econtact.ca/14_2/brouse_brainwavemusic_fr.html)
by Andrew Brouse, Trans. Andrew Brouse and Ève Renaud, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Philip Baer and the Sounds of Movement (https://www.econtact.ca/9_2/poon.html)
by Jason Poon, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Photos from the 2009 Toronto Electroacoustic Symposium (TES) (https://www.econtact.ca/11_4/austin_photos.html) [Photo Essay]
by Kevin Austin, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Piano, Sensors + Live-Electronics: The Performer’s Perspective (https://www.econtact.ca/13_2/robuste_sensors.html)
by Joan Riera Robusté, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Plastic Music, Aural Models and Graphic Representation (https://www.econtact.ca/12_3/nance_plasticmodels.html)
by Rick Nance, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Playing with the Voice and Blurring Boundaries in Hildegard Westerkamp’s “MotherVoiceTalk” (https://www.econtact.ca/14_4/woloshyn_westerkamp.html)
by Alexa Woloshyn, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Plays Well With Others: Regarding modular synthesizer in collaborative performance practice (https://www.econtact.ca/17_4/gaston_playswell.html)
by Ryan William Gaston, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
plectros III (1971–I), for piano and synthesized sounds (https://www.econtact.ca/13_2/lanza_plectrosIII.html)
by alcides lanza, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
Plunderphonics, or Audio Piracy as a Compositional Prerogative (https://www.econtact.ca/16_4/oswald_plunderphonics.html)
by John Oswald, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Pondering Value in the Performance Ecosystem (https://www.econtact.ca/10_4/green_ecosystem.html)
by Owen Green, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Préface (https://www.econtact.ca/1_1/bosma_foreword_fr.html)
by Hannah Bosma, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Présentation des œuvres électroacoustiques sur des systèmes multi haut-parleurs: 5 Questions à Francis Dhomont (https://www.econtact.ca/7_4/watson-basque_dhomont.html)
by Nicolas Basque and Andrew Watson, in 7.4 — Diffusion multi-canal 2 / Multi-Channel Diffusion 2 (https://www.econtact.ca/7_4/index.html) (May 2005)
Présentation des œuvres électroacoustiques sur des systèmes multi haut-parleurs: 5 Questions à Robert Normandeau (https://www.econtact.ca/7_4/watson-basque_normandeau.html)
by Nicolas Basque and Andrew Watson, in 7.4 — Diffusion multi-canal 2 / Multi-Channel Diffusion 2 (https://www.econtact.ca/7_4/index.html) (May 2005)
Presentation of Electroacoustic Works on Multi-Speaker Systems: 5 Questions to Kevin Austin (https://www.econtact.ca/7_4/watson-basque_austin.html)
by Nicolas Basque and Andrew Watson, in 7.4 — Diffusion multi-canal 2 / Multi-Channel Diffusion 2 (https://www.econtact.ca/7_4/index.html) (May 2005)
Presentation of Electroacoustic Works on Multi-Speaker Systems: 5 Questions to Richard Zvonar (https://www.econtact.ca/7_4/watson-basque_zvonar.html)
by Nicolas Basque and Andrew Watson, in 7.4 — Diffusion multi-canal 2 / Multi-Channel Diffusion 2 (https://www.econtact.ca/7_4/index.html) (May 2005)
Prise de position (https://www.econtact.ca/9_3/stollery_f.html)
by Pete Stollery, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Problèmes courants, interventions et résultats (https://www.econtact.ca/9_3/probleme1.html)
by R. Dominique Bassal, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Progress Report — The State of the Art after Sixteen Years of Designing and Playing Electroacoustic Sound-Sculptures: A detailed examination of original instruments and reflections on their cultural context (https://www.econtact.ca/12_3/applebaum_soundsculpture.html)
by Mark Applebaum, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Projet d’archivage Concordia (https://www.econtact.ca/10_x/archive_concordia_fr.html)
by jef chippewa and Yves Gigon, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Projet d’archivage EMS : École de musique Schulich à l’Université McGill (https://www.econtact.ca/10_x/archive_mcgillems_fr.html)
by alcides lanza, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Proprioception, Effort and Strain in “Hypo Chrysos”: Action art for vexed body and the Xth Sense (https://www.econtact.ca/14_2/donnarumma_hypochrysos.html)
by Marco Donnarumma, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Qu’est-ce que la collection d’enregistrements de Concordia (Concordia Tape Archive)? (https://www.econtact.ca/10_x/austin_context_fr.html)
by Kevin Austin, Trans. Yves Charuest, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Quasar au Festival Electrochocs (https://www.econtact.ca/6_2/dufresne_quasar.html) [Rapport]
by Pierre-Olivier Dufresne, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
Quince: A Modular approach to music editing (https://www.econtact.ca/16_3/marcoll_quince.html)
by Maximilian Marcoll, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Quotes, Music Technology and Post-Modernity: Quantitative Studies into “Music Technology” degrees in Britain (https://www.econtact.ca/8_4/boehm.html)
by Carola Boehm, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Radio and Aural Destabilization #4a: Radio as secret pleasure ground (https://www.econtact.ca/2_3/Radioaural.htm)
by Bart Plantenga, in 2.3 — Radiophonique / Radiophonic (https://www.econtact.ca/2_3/index.html) (1999)
Radio Art Companion to “Deep Wireless 2002”: CD liner notes (https://www.econtact.ca/5_3/radioart_linernotes.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Radio Art Companion to “Deep Wireless 2002”: Foreword (https://www.econtact.ca/5_3/copeland-theriault_radioart.html)
by Darren Copeland and Nadene Thériault-Copeland, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Radio Culture (https://www.econtact.ca/5_3/apple_radio.html)
by Jacki Apple, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Radio Links (https://cec.sonus.ca/links/links_radio.html)
by CEC, in 2.3 — Radiophonique / Radiophonic (https://www.econtact.ca/2_3/index.html) (1999)
Radiocasting: Musings on radio and art (https://www.econtact.ca/2_3/Radiocasting.htm)
by Dan Lander, in 2.3 — Radiophonique / Radiophonic (https://www.econtact.ca/2_3/index.html) (1999)
Radiophonic Arts and the Problem of the Stage (https://www.econtact.ca/18_4/sannicandro_radiophonic.html)
by Joseph Sannicandro, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Rainforest Soundwalks: Ambiences of Bosavi, Papua New Guinea” (Steven Feld) (https://www.econtact.ca/4_3/Rainforest.html) [CD]
by Carlos Palombini, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
Re-auralizing Nature: Musical practice as a means to a greater understanding of the natural world (https://www.econtact.ca/10_3/scriver_nature.html)
by Paul Scriver, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Real-time Manipulation of Synthesis Parameters Using a Brainwave Interface and a Eurorack Modular Synthesizer (https://www.econtact.ca/17_4/omahony_brainwaves.html)
by Dave O Mahony, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Real-Time Spectral Analysis and Dispersion (https://www.econtact.ca/11_2/ritter_dispersion.html)
by Martin Ritter, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Reciprocal Listening in Electroacoustic Sound Installation (https://www.econtact.ca/10_3/roi_reciprocal.html)
by Micheline Roi, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Recreating the Real, Realizing the Imaginary: A Composer’s preoccupation with acoustic space [pdf] (https://www.econtact.ca/7_2/godman_acousticspace.pdf)
by Rob Godman, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
Reflections on Aspects of Music Interactivity in Performance Situations (https://www.econtact.ca/10_4/lindborg_interactivity.html)
by PerMagnus Lindborg, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Reflections on Harald Bode (https://www.econtact.ca/13_4/abocab_bode.html)
by Caspar Abocab, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Remembering Hugh (https://www.econtact.ca/17_2/jaeger_lecaine.html)
by David Jaeger, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Remembering Hugh Le Caine (https://www.econtact.ca/17_2/beecroft_lecaine.html)
by Norma Beecroft, in 17.2 — The Quiet Legacy of Hugh Le Caine, Canadian Pioneer in Electronic Music (https://www.econtact.ca/17_2/index.html) (January 2016)
Reply to Alexandre Burton’s Music/Audio/New Media Questionnaire (https://www.econtact.ca/4_2/austin.htm)
by Kevin Austin, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Reply to Robert Normandeau’s Question to International Members (https://www.econtact.ca/4_2/harrison.htm)
by Jonty Harrison, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Reply to Robert Normandeau’s Questionnaire (https://www.econtact.ca/4_2/4_comments.htm)
by Kevin Austin, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Reply to Robert Normandeau’s Questionnaire (https://www.econtact.ca/4_2/chippewa.htm)
by jef chippewa, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Reply to Robert Normandeau’s Questionnaire (https://www.econtact.ca/4_2/5_comments.htm)
by Ian Chuprun, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Reply to the Contemporary Music Review (https://www.econtact.ca/4_2/1a_comments.htm)
by Kevin Austin, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Réponse au questionnaire de Robert Normandeau (https://www.econtact.ca/4_2/dhomont.htm)
by Francis Dhomont, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Réponse au questionnaire de Robert Normandeau (https://www.econtact.ca/4_2/thibault.htm)
by Alain Thibault, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Report on Visiones Sonoras (https://www.econtact.ca/9_2/matthews.html) [Review]
by Michael Matthews, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Repurposing the Compositional Experience: The Spring Guitar and a Kataba saw, a self-built “instrument as sound composition” (https://www.econtact.ca/18_3/rivero_springguitar.html)
by Anatol Rivero Brito, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Requiem for Radio: Sound sculptures, shortwave simulcasts, performances and pirates (https://www.econtact.ca/20_3/christie-pearse_requiem.html)
by Amanda Dawn Christie and Lukas Pearse, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
Resounding but Not Sounding: Diffusing into interior spaces of instruments (https://www.econtact.ca/17_3/ocallaghan_resounding.html)
by James O’Callaghan, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Reviving Parmegiani’s “Stries” (1980): Translation of historic analogue works into the digital domain (https://www.econtact.ca/17_4/berweck_parmegiani.html)
by Sebastian Berweck, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Richard Maxfield and Harold Budd — The Oak of the Golden Arms (1999) (https://www.econtact.ca/3_4/OakGoldenArms.htm) [CD]
by Warren Burt, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
Riding the Dragon: Toward a pedagogy of free musical improvisation (https://www.econtact.ca/10_4/fitzell_xie.html)
by Gordon Fitzell, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
River Trent Soundwalk (https://www.econtact.ca/4_3/dallas.html)
by Dallas Simpson, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
Robert Paredes — Forgetting and Remembering (1999) (https://www.econtact.ca/3_2/ForgettingRemembering.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
Savoir d’où l’on vient pour savoir où l’on est (https://www.econtact.ca/15_3/austin_cec25years_fr.html)
by Kevin Austin, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Scalable, Collective Traditions of Electronic Sound Performance: A Progress Report (https://www.econtact.ca/15_2/ogborn_cybernetic.html)
by David Ogborn, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Scherzophobia: Toward a Postmusic (https://www.econtact.ca/16_4/panther_scherzophobia.html)
by Jon Panther, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Schizophonia vs. l’objet sonore: Soundscapes and artistic freedom (https://www.econtact.ca/1_4/Lopez.html)
by Francisco López, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
« Schizophonia » vs. l’objet sonore : Le paysage sonore (soundscape) et la liberté artistique (https://www.econtact.ca/1_4/Lopez_fr.html)
by Francisco López, Trans. jef chippewa, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
Score of Jean-François Denis’ “Point-virgule” (1990) (https://www.econtact.ca/2_2/Fischman.htm)
by Rajmil Fischman, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
Scrapyard Aesthetics and the Swansong of the Inspiron (https://www.econtact.ca/12_3/thompson_dismantle.html)
by Bill Thompson, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Sculpting Sound: A History of the CEC (https://www.econtact.ca/4_2/Story.htm)
by Rosemary S. Mountain, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
SEAMUS à ÉuCuE XVI.07 (https://www.econtact.ca/1_2/Schrader_fr.html) [Rapport]
by Barry Schrader, Trans. David Lindsay, in 1.2 — SEAMUS: Society for Electro-Acoustic Music in the United States (https://www.econtact.ca/1_2/index.html) (1998)
SEAMUS at ÉuCuE XVI.07 (https://www.econtact.ca/1_2/Schrader.html) [Report]
by Barry Schrader, in 1.2 — SEAMUS: Society for Electro-Acoustic Music in the United States (https://www.econtact.ca/1_2/index.html) (1998)
SEAMUS Overview (https://www.econtact.ca/1_2/Seamus.html)
by Stephen David Beck, in 1.2 — SEAMUS: Society for Electro-Acoustic Music in the United States (https://www.econtact.ca/1_2/index.html) (1998)
Searching for Critical Mass (https://www.econtact.ca/2_2/Critical.htm)
by Ian Chuprun, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
Seeing Sound Symposium 2013 (https://www.econtact.ca/15_4/mcdonnell_seeingsound.html) [Report]
by Maura McDonnell, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Send + Receive: A Festival of Sound [version 8] (https://www.econtact.ca/9_2/radford.html) [Review]
by Deanna Radford, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Send + Receive: A Festival of Sound v.9 (https://www.econtact.ca/9_2/moore.html) [Preview]
by Sandee Moore, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Shades of Synchresis: A Proposed framework for the classification of audiovisual relations in sound-and-light media installations (https://www.econtact.ca/19_2/basanta_synchresis.html)
by Adam Basanta, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Shadow-walks: Toronto edition (https://www.econtact.ca/11_4/corringham_shadowwalks.html)
by Viv Corringham, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Shape tool. Shaped by tool. Reshape tool? (https://www.econtact.ca/13_3/harcourt-powell_shaping.html)
by Tim Harcourt-Powell, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Sharing the Source: A very brief history of computing at CCRMA (https://www.econtact.ca/11_3/lopez_lezcano_ccrma.html) [Institutions]
by Fernando López-Lezcano, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Sharing the Studio to Create “Lepidoptera”: Collaboration and notation (https://www.econtact.ca/18_4/hron_lepidoptera.html)
by Terri Hron, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
Sign Waves: Artist biographies (https://www.econtact.ca/5_3/signwaves_bios.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Sign Waves Companion: Foreword (https://www.econtact.ca/5_3/theriault_signwaves.html)
by Nadene Thériault-Copeland, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Situation de l’électroacoustique au Canada (https://www.econtact.ca/4_2/SituationElectroacoustique.htm)
by Robert Normandeau, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
So… What is Electronica Anyway? (https://www.econtact.ca/6_3/dorfman_electronica.html)
by Digs Dorfman, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
So What? I Don’t Hack! (https://www.econtact.ca/11_3/nettingsmeier_dont_hack.html)
by Jörn Nettingsmeier, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Soft Revolvers (2014) (https://www.econtact.ca/19_2/bleau_revolvers.html) [Gallery]
by Myriam Bleau, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Software Tools for Electronic Wind Instrument Performance (https://www.econtact.ca/10_3/degazio_windperformance.html)
by Bruno Degazio, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Some Alternative Methods of Composition (https://www.econtact.ca/12_3/koustrup_alternative.html)
by Frank Koustrup, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
Some Considerations for Spatial Design and Concert Projection with Surround 5.1 (https://www.econtact.ca/8_3/otondo.html)
by Felipe Otondo, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Sommaire des rencontres avec les communautés de la musique nouvelle à Toronto, Montréal et Vancouver en décembre 2000 (https://www.econtact.ca/4_2/2_fr.htm)
by Judy Harquail and Lendre Kearns, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Sonic Arts Network’s Reply to Robert Normandeau’s Questionnaire (https://www.econtact.ca/4_2/6_comments.htm)
by Pete Stollery, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Sonification as Semblance: A Phenomenological investigation into music composition (https://www.econtact.ca/17_3/horsley_sonification.html)
by Josh Horsley, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Sonik Spring (https://www.econtact.ca/14_4/henriques_sonikspring.html)
by Tomás Henriques, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Sound and Music Computing Conference 2008 (https://www.econtact.ca/10_4/report_smc08.html) [Report]
by Peter Castine, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Sound Installations: Altering the experience of space (https://www.econtact.ca/5_3/copeland_installations.html)
by Darren Copeland, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Sound Never Ages: Archaeoacoustic memory (https://www.econtact.ca/17_3/hill_memory.html)
by Don Hill, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Sound Out: On the Prairies (https://www.econtact.ca/9_2/radford2.html)
by Deanna Radford, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Sound Reproduction Using Multi-Loudspeaker Systems (https://www.econtact.ca/7_2/gauthier_soundreproduction.html)
by Philippe-Aubert Gauthier, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
Sound Synthesizer Creates New Musical Effects (https://www.econtact.ca/13_4/bode_synthesizer.html)
by Harald Bode, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Sound Travels 2002: Artist biographies (https://www.econtact.ca/5_3/soundtravels2002_bios.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Sound Travels 2002: Concert program notes (https://www.econtact.ca/5_3/soundtravels2002_prognotes.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Sound Travels 2002: Schedule of events (https://www.econtact.ca/5_3/soundtravels2002.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Sound-Initiated Drawing and Memory Impairment (https://www.econtact.ca/12_4/hutchinson_memory.html)
by Brenda Hutchinson, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Sounding Art: Eight Literary Excursions through Electronic Music (Katharine Norman) (https://www.econtact.ca/9_2/prescott.html) [Book]
by David Prescott, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Sounding Canadian Communities: A Project proposal (https://www.econtact.ca/4_3/soundscape/index.htm)
by Ian Chuprun, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
SOUNDPlay 2002: Artist biographies (https://www.econtact.ca/5_3/soundplay2002_bios.html)
by NAISA, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Soundscape Composition and the Subversion of Electroacoustic Norms (https://www.econtact.ca/3_4/SoundscapeComposition.htm)
by Andra McCartney, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
Soundscape Composition and the Subversion of Electroacoustic Norms: [Abridged version 2002] (https://www.econtact.ca/5_3/mccartney_soundscape.html)
by Andra McCartney, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Soundscape Composition, Globality, and Implicated Critique (https://www.econtact.ca/8_3/thomson.html)
by Phil Thomson, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Soundscapes: An historical approach (https://www.econtact.ca/3_4/HistoricalApproach.htm)
by José Iges, in 3.4 — Histoires de l’électroacoustique / Histories of Electroacoustics (https://www.econtact.ca/3_4/index.html) (2000)
Soundscapes and Anachronisms in Music for Laptop Ensemble (https://www.econtact.ca/21_1/lukaszuk_laptop-soundscapes.html)
by Michael Lukaszuk, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
Soundscaping the Paramount: A Research Project at the Famous Players Paramount Movie Theatre in Montreal, Canada (https://www.econtact.ca/8_3/gasior.html)
by Lisa Gasior, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Soundwalking (https://www.econtact.ca/4_3/Soundwalking.html)
by Hildegard Westerkamp, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
Soundwalking: Follow your ears (https://www.econtact.ca/5_3/wagstaff_soundwalking.html)
by Gregg Wagstaff, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Soundwalks (https://www.econtact.ca/4_3/indexandra.html)
by Andra McCartney, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
Southern Soundscapes: Ecological sound art responses to two South Australian ecosystems (https://www.econtact.ca/20_2/budel_ecosystems.html)
by Jesse Budel, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
Space and Computer Music: A Survey of Methods, Systems and Musical Implications (https://www.econtact.ca/11_4/zelli_space.html)
by Bijan Zelli, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Spaces Speak, Are You Listening? Experiencing Aural Architecture (Barry Blesser and Linda-Ruth Salter) (https://www.econtact.ca/9_4/pais.html) [Book]
by João Miguel Pais, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Spatialization Without Panning (https://www.econtact.ca/11_4/thigpen_spatialization.html)
by Benjamin Thigpen, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Spectral Delay as a Compositional Resource (https://www.econtact.ca/11_4/gibson_spectraldelay.html)
by John Gibson, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
Spectralism and Microsound (https://www.econtact.ca/17_3/litke_spectralism.html)
by David Litke, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Spectro-Morphological Diatonicism: Unlocking style and tonality in the works of Denis Smalley through aural analysis (https://www.econtact.ca/6_4/Rudy/index.html)
by Paul Rudy, in 6.4 — Analyse électroacoustique / Analyses of Electroacoustics (https://www.econtact.ca/6_4/index.html) (2003–04)
Spectro-Morphology and Structure: An Analysis of Gilles Gobeil’s “Le vertige inconnu” (https://www.econtact.ca/6_4/Harchanko/index.html)
by Joseph Harchanko, in 6.4 — Analyse électroacoustique / Analyses of Electroacoustics (https://www.econtact.ca/6_4/index.html) (2003–04)
Spectromorphology Hits Hollywood: Morphology, objectification and moral messages in the sound design of “Black Hawk Down” (https://www.econtact.ca/8_3/gates_rudy.html)
by Philippa Gates and Paul Rudy, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Statement of Position (https://www.econtact.ca/9_3/stollery.html)
by Pete Stollery, in 9.3 — Mastering en électroacoustique : un état des lieux / Mastering in Electroacoustics: State of affairs (https://www.econtact.ca/9_3/index.html) (April 2007)
Stelarc (https://www.econtact.ca/14_2/stelarc_gallery.html) [Gallery]
by Stelarc, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
Stelarc and Rainer Linz — Fractal Flesh (1999) (https://www.econtact.ca/3_2/FractalFlesh.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
Steven Feld on “Rainforest Soundwalks: Ambiences of Bosavi, Papua New Guinea” (2001) (https://www.econtact.ca/4_3/Feld.html)
by Carlos Palombini, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
Stop, Look and Listen (https://www.econtact.ca/8_2/simoni.html)
by Mary Simoni, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Stratégies d’écoute dans ma pratique d’art sonore (https://www.econtact.ca/20_2/dumas_ecoute_fr.html) [Keynote]
by Chantal Dumas, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
Structure Formation: An Analysis of electronic superimpositions in Stockhausen’s “Solo” (https://www.econtact.ca/16_3/nerenberg_stockhausen.html)
by Mark Nerenberg, in 16.3 — TES 2013: 7th Toronto Electroacoustic Symposium / 7e Symposium électroacoustique de Toronto (https://www.econtact.ca/16_3/index.html) (December 2014)
Studies in Sound and Vibration: VibraFusionLab, An innovative centre for arts-based vibratactile research and creative practice (https://www.econtact.ca/17_3/bobier_vibrafusionlab.html)
by David Bobier, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Studio FLAT: A new studio for computer music at the University of Manitoba (https://www.econtact.ca/9_2/sandred.html)
by Örjan Sandred, in 9.2 — Régions canadiennes : Les prairies / Canadian Regions: The Prairies (https://www.econtact.ca/9_2/index.html) (March 2007)
Subversive Qualities in Experimental Practices (https://www.econtact.ca/16_4/weissenbrunner_subversive.html)
by Karin Weissenbrunner, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
Summary Report of Meetings with the New Music Communities in Toronto, Montreal and Vancouver in December 2000 (https://www.econtact.ca/4_2/2.htm)
by Judy Harquail and Lendre Kearns, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
Susan Frykberg — Astonishing Sense of Being Taken Over by Something Far Greater Than Me (1998) (https://www.econtact.ca/3_2/AstonishingSense2.htm) [CD]
by Warren Burt, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Suspended Imprints: An Exploration of space, sound and the inner monologue (https://www.econtact.ca/13_3/horseman_imprints.html)
by Samantha Horseman, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Sustainable Live Electroacoustic Music (https://www.econtact.ca/8_3/bernardini_vidolin.html)
by Nicola Bernardini and Alvise Vidolin, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Symbolic Representation of Chords for Rule-Based Evaluation of Tonal Progressions (https://www.econtact.ca/16_2/chong-ding_representation.html)
by Eddy K.M. Chong and Qin Ding, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Sympathetic Vibration: Prolongation of sound by reflection (https://www.econtact.ca/11_2/jones_sympathetic.html)
by Markus Jones, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Synths and Social Capital (https://www.econtact.ca/17_4/duff_socialcapital.html)
by Andrew Duff, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Systèmes, écologie, son : Une cartographie conceptuelle (https://www.econtact.ca/21_2/schorpp_cartographieconceptuelle_fr.html)
by Estelle Schorpp, in 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices / Dématérialisation de l’objet sonore : Approches conceptuelles des pratiques artistiques centrées sur le son (https://www.econtact.ca/21_2/index.html) (July 2023)
Talismania (Fetishizing the Fetish) (https://www.econtact.ca/14_3/hansen_talismania.html)
by Mike Hansen, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Tape Nights in Sydney (https://www.econtact.ca/3_2/TapeNights.htm) [Report]
by Gordon Monro, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
Teaser: By Listening to the Sounds that Inhabit Our World, We Can Learn Much About the World We Inhabit… (https://www.econtact.ca/6_3/fenner_listening.html)
by Victoria Fenner, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
Technology-Based Sonic Arts in Norway (https://www.econtact.ca/12_2/norway_rudi.html) [Community Reports]
by Jøran Rudi, in 12.2 — Interviews 2 (https://www.econtact.ca/12_2/index.html) (April 2010)
TES 2007 (https://www.econtact.ca/10_3/TES07_photos.html) [Photo Gallery]
by David Ogborn, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
The “Beast” that is Live Spatialization (https://www.econtact.ca/10_3/dodge_spatialization.html)
by Carey Dodge, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
The 2006 Sonorities Festival: An event of rather unusual combinations, line-ups and mixes of sonic samples (https://www.econtact.ca/8_4/sonorities.html) [Report]
by CEC, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
The Archiving of “Obsessed Again…— by Keith Hamel: InterPARES 2, Case Study Report 13 (https://www.econtact.ca/10_x/amort_obsessed.html)
by Scott Amort, Keith Hamel, Jesse Read, John B. RoederCP-6081, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
The Audio Spotlight in Electroacoustic Performance Spatialization (https://www.econtact.ca/14_4/copeland_spotlight.html)
by Darren Copeland, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
The AudioVisual and the Question “Why?” (https://www.econtact.ca/15_4/wiese_av-notes.html)
by Nicolas Wiese, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
The CCA Media Arts Section’s Electronic Dissemination Questionnaire (https://www.econtact.ca/4_2/media.htm)
by Katarina Soukup, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
The CCA’s Contemporary Music Section Review of National Arts Service Organizations (https://www.econtact.ca/4_2/3.htm)
by Tim Brady, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
The CCA’s New Music Infrastructure Questionnaire (https://www.econtact.ca/4_2/Questionnaire.htm)
by Richard Simas, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
The CEC’s Reply to Tim Brady’s National Arts Service Organizations Questionnaire (https://www.econtact.ca/4_2/1_comments.htm)
by Rosemary S. Mountain, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
The CEC’s YouTube Channel (https://youtube.com/user/CECSonus)
by CEC, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
The Choreography of Noise: Analysis of Henry Gwiazda’s “buzzingreynold’sdreamland” (https://www.econtact.ca/14_4/zelli_gwiazda.html)
by Bijan Zelli, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
The Compositions of Harald Bode (https://www.econtact.ca/13_4/austin_bode_compositions.html)
by Kevin Austin, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
The Concordia Archival Project (CAP): Recovery, Archiving and Online Presentation of Canadian Electroacoustic History (https://www.econtact.ca/10_x/cap.html)
by jef chippewa and Yves Gigon, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
The Concordia Tape Archive / Collection: What it is, and what it isn’t (https://www.econtact.ca/10_x/austin_context.html)
by Kevin Austin, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
The CyberWhistle and O-Bow: Minimalist controllers inspired by traditional instruments (https://www.econtact.ca/12_3/menzies_controllers.html)
by Dylan Menzies-Gow, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
The Death of the Singer: Authorship and female voices in electronic music (https://www.econtact.ca/1_3/Bosma.html)
by Hannah Bosma, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
The Development of Acousmatics in Montréal (https://www.econtact.ca/6_2/mcfarlane_acousmatics.html)
by Matthew McFarlane, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
The Digital Mind: Challenges and Possibilities of Digital Archives and the “mediaartbase.de” Project (https://www.econtact.ca/13_2/haecker_digitalmind.html)
by Julia Haecker, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
The Edge May Be the Middle: A View of electroacoustic music in the antipodes (https://www.econtact.ca/3_2/EdgeMiddle.htm)
by Ian Whalley, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
The Electroacoustic Situation in Canada (https://www.econtact.ca/4_2/ElectroacousticSituation.htm)
by Robert Normandeau, in 4.2 — Profil d’une communauté / Profile of a Community (https://www.econtact.ca/4_2/index.html) (2001)
The EMOSynth: An emotion-driven music generator (https://www.econtact.ca/14_2/vermeulen_emosynth.html)
by Valery Vermeulen, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
The End of Digital Tourism: Aesthetics of globalization and live electro-instrumental performance (https://www.econtact.ca/15_2/hall_digitaltourism.html)
by Lawton Hall, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
The Enigma of Vitruvian Resonating Vases and the Relevance of the Concept for Today [pdf] (https://www.econtact.ca/7_2/godman_vitruvius.pdf)
by Rob Godman, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
The Final Frontier?: Spatial strategies in acousmatic composition and performance (https://www.econtact.ca/14_4/harrison_spatialstrategies.html) [Keynote]
by Jonty Harrison, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
The First Retrospective of Mexican Electroacoustic Music (https://www.econtact.ca/12_3/mexico_iturbide.html) [Community Reports]
by Manuel Rocha Iturbide, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
The flap-o-phone, a Site-Specific Turntable (https://www.econtact.ca/14_3/delaurenti_flapophone.html)
by Christopher DeLaurenti, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
The Game Changer: Playing with electronics as soloist (https://www.econtact.ca/13_2/berweck_gamechanger.html)
by Sebastian Berweck, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
The Heart Chamber Orchestra: An audio-visual real-time performance for chamber orchestra based on heartbeats (https://www.econtact.ca/14_2/votava-berger_hco.html)
by Peter Votava and Erich Berger, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
The Hills Are Alive…: “Wild Fruits” creative soundscapes project (https://www.econtact.ca/10_3/harley_wildfruits.html)
by James Harley, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
The I and the Ear: The Art of installations (https://www.econtact.ca/5_3/longstaff_installations.html)
by Nicholas Longstaff, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
The International Alliance for Women in Music Congress 2006 (https://www.econtact.ca/8_2/reviews.html#previews) [Preview]
by Kristine H. Burns, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
The International Women’s Electroacoustic Listening Room (WEALR) Project: Voices on the Edge (https://www.econtact.ca/8_2/Madsen.html)
by Pamela Madsen, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
The Le Caine Instruments: A Disappearing technology (https://www.econtact.ca/7_3/lanza_lecaine.html)
by alcides lanza, in 7.3 — Grandes figures canadiennes 1 / Canadian Figures 1 (https://www.econtact.ca/7_3/index.html) (March 2005)
The Light Bulb in My Music (https://www.econtact.ca/19_2/vorfeld_lightbulb.html)
by Michael Vorfeld, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
The Michael Gerzon Archive and the British Library’s Archival Sound Recordings Project (https://www.econtact.ca/10_x/archive_britishlibrary.html)
by Paul Wilson and Adam Tovell, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
The Modular Synthesizer Divided: The keyboard and its discontents (https://www.econtact.ca/17_4/dalgleish_keyboard.html)
by Mat Dalgleish, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
The Music of T.S. Eliot’s Poetry: Integrating text, live performance, sound design and video in a multimedia theatre production of “The Waste Land” (https://www.econtact.ca/16_2/koh-dixon_wasteland.html)
by Joyce Beetuan Koh and Steve Dixon, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
The Musical Underground and the Popular and Classical Overground (https://www.econtact.ca/16_4/graham_underground.html)
by Stephen Graham, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
The Oval Synthesizer (https://www.econtact.ca/17_4/blasser_ovalsynth.html)
by Peter Blasser, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
The Palpability of Sound: An Evening with Sound and Radio Artist Christian Calon (https://www.econtact.ca/6_2/loveless_calon.html) [Report]
by Stephanie Loveless, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
The Phenomenology of Musical Instruments: A survey (https://www.econtact.ca/10_4/magnusson_hurtado_survey.html)
by Thor Magnusson and Enrike Hurtado-Mendieta, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
The Piano and Live Electronics Repertoire List (https://www.econtact.ca/13_2/pestova_repertoirelist.html)
by Xenia Pestova, in 13.2 — Keyboard + Live Electronics: The Performer’s Perspective / Claviers + « live electronics » : La perspective de l’interprète (https://www.econtact.ca/13_2/index.html) (April 2011)
The Piano as an Electroacoustic Instrument (https://www.econtact.ca/10_3/connolly_piano.html)
by Paul Connolly, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
The Plasticity of Sound: A Swedish retrospective, presented by Åke Parmerud (https://www.econtact.ca/6_2/loveless_parmerud.html) [Report]
by Stephanie Loveless, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
The Power of One: Performance modes on the T-Stick digital musical instrument (https://www.econtact.ca/13_3/stewart_tstick.html)
by D. Andrew Stewart, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
The Practice of Mastering in Electroacoustics [pdf] (https://cec.sonus.ca/pdf/The_Practice_of_Mastering.pdf)
by R. Dominique Bassal, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
The Red Planet (https://www.econtact.ca/11_4/pelton_red_planet.html) [Historical]
by Dale Pelton, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
The Regina Electroacoustic Performance Orchestra: Heterogeneity and Participation (https://www.econtact.ca/11_4/ogborn_reapor.html)
by David Ogborn, in 11.4 — TES 2009: 3rd Toronto Electroacoustic Symposium / 3e Symposium électroacoustique de Toronto (https://www.econtact.ca/11_4/index.html) (December 2009)
The Seductive (Yet Destructive) Appeal of Very Loud Music (https://www.econtact.ca/9_4/blesser.html)
by Barry Blesser, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
The Serge VCS: How it works (https://www.econtact.ca/17_4/stinchcombe_sergevcs.html)
by Tim Stinchcombe, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
The Sounding Beauty of Ideas (https://www.econtact.ca/21_2/bernal_soundingbeauty.html)
by Alberto Bernal, in 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices / Dématérialisation de l’objet sonore : Approches conceptuelles des pratiques artistiques centrées sur le son (https://www.econtact.ca/21_2/index.html) (July 2023)
The Soundson Programme (https://www.econtact.ca/14_4/radkiewicz-cohen_soundson.html)
by Wiska Radkiewicz and Andrea Cohen, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
The Springboard: The joy of piezo disk pickups for amplified coil springs (https://www.econtact.ca/10_3/leonardson_springboard.html)
by Eric Leonardson, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
The Static Organ: Biofeedback as new interactions for new action potentials (https://www.econtact.ca/14_2/long_staticorgan.html)
by Kiel Stuart Long, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
“The Thing About Listening is…”: Compositional approaches and inspiration using spoken word, field recordings and electroacoustic techniques (https://www.econtact.ca/16_2/martin_listening.html)
by Brona Martin, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
The Tu(r)ning of the (W)o(r)ld (https://www.econtact.ca/14_3/fuchs_turning.html)
by Wolfgang Fuchs, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
The Turntable is Dead, Long Live the Record Player (https://www.econtact.ca/12_3/hansen_turntable.html)
by Mike Hansen, in 12.3 — Instrument—Interface (https://www.econtact.ca/12_3/index.html) (June 2010)
The Use of Electromyogram Signals (EMG) in Musical Performance: A Personal survey of two decades of practice (https://www.econtact.ca/14_2/tanaka_personalsurvey.html)
by Atau Tanaka, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
The Visualization and Representation of Electroacoustic Music (https://www.econtact.ca/19_3/gray_visualization.html)
by David Gray, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
There is No Future Until We Get to It (https://www.econtact.ca/10_x/bathorykitsz_preservation.html)
by Dennis Báthory-Kitsz, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Three Electroacoustic Artworks Exposing Digital Networks (https://www.econtact.ca/17_3/hutchinson_networks.html)
by Aaron Hutchinson, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
TIES 2015 Photo Album (https://facebook.com/cec.sonus/photos_stream?tab=photos_albums)
by CEC, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
TIES 2016 Photo Album (https://www.facebook.com/pg/cec.sonus/photos/?tab=album&album_id=10154109422986281)
by CEC, in 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium / 10e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_4/index.html) (August 2017)
TIES 2017 Photo Album (http://www.facebook.com/pg/cec.sonus/photos/?tab=album&album_id=10156265304206281)
by CEC, in 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium / 11e Symposium électroacoustique international de Toronto (https://www.econtact.ca/20_2/index.html) (September 2018)
“Time is Everything / Time is Nothing”: Reflections on long-duration soundworks and radio (https://www.econtact.ca/2_3/Time.htm)
by Chris Meloche, in 2.3 — Radiophonique / Radiophonic (https://www.econtact.ca/2_3/index.html) (1999)
Time Modulation: Rhythm, relativity and voltage control (https://www.econtact.ca/17_4/ross_modulation.html)
by Dave Ross, in 17.4 — Analogue and Modular Synthesis: Resurgence and evolution / Synthèse analogue et modulaire : Résurgence et évolution (https://www.econtact.ca/17_4/index.html) (February 2016)
Timeline and Diffusion Score of Christian Calon’s “Minuit” [pdf] (https://www.econtact.ca/6_4/pdf/Minuit.pdf)
by Kevin Austin, in 6.4 — Analyse électroacoustique / Analyses of Electroacoustics (https://www.econtact.ca/6_4/index.html) (2003–04)
Timeline and Diffusion Score of Francis Dhomont’s “Signé Dionysos” [pdf] (https://www.econtact.ca/6_4/pdf/Signe.pdf)
by Kevin Austin, in 6.4 — Analyse électroacoustique / Analyses of Electroacoustics (https://www.econtact.ca/6_4/index.html) (2003–04)
Timo Kahlen (https://www.econtact.ca/16_4/kahlen_gallery.html) [Gallery]
by Timo Kahlen, in 16.4 — Experimental Practices and Subversion in Sound / Pratiques sonores expérimentales et subversives (https://www.econtact.ca/16_4/index.html) (March 2015)
To Be Free, One Must Play Against the Devices: A Philosophical analysis of Dick Raaymakers’ “Intona: Dodici manieri di far tacere un microfono” (https://www.econtact.ca/21_2/belfiore_raaymakers-intona.html)
by Raphaël Belfiore, in 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices / Dématérialisation de l’objet sonore : Approches conceptuelles des pratiques artistiques centrées sur le son (https://www.econtact.ca/21_2/index.html) (July 2023)
To know where we are, it sometimes helps to know where we were before (https://www.econtact.ca/15_3/austin_cec25years.html)
by Kevin Austin, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tom Fryer — The Path with the Heart (1998) (https://www.econtact.ca/3_2/PathHeart.htm) [CD]
by Warren Burt, in 3.2 — ACMA: Australasian Computer Music Association (https://www.econtact.ca/3_2/index.html) (2000)
Tools, Techniques and Composition: Bridging Acousmatic and IDM (https://www.econtact.ca/14_4/ramsay_acousmatic-idm.html)
by Ben Ramsay, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Toronto Electroacoustic Symposium 2007 (https://www.econtact.ca/10_3/report_TES07.html) [Report]
by David Ogborn, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Toronto Electroacoustic Symposium 2008 (https://www.econtact.ca/11_2/TES08_photos.html) [Photo Essay]
by CEC, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Toronto Electroacoustic Symposium 2008 (https://www.econtact.ca/10_2/preview_TES08.html) [Preview]
by David Ogborn, in 10.2 — Interviews 1 (https://www.econtact.ca/10_2/index.html) (August 2008)
Toronto Electroacoustic Symposium 2011 (https://www.econtact.ca/13_3/preview_tes11.html) [Preview]
by David Ogborn, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Tournée 25e anniversaire de la CEC : JTTP 2011 — Jeu de temps / Times Play (https://www.econtact.ca/15_3/jttp2011_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC à Montréal : Conservatoire de musique de Montréal (https://www.econtact.ca/15_3/conservatoire_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC — Calgary : Département de musique de l’Université de Calgary (https://www.econtact.ca/15_3/calgary_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC — Edmonton : Festival Sea of Sound 2011 (https://www.econtact.ca/15_3/edmonton_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC — Hamilton : Département communications et multimédia de l’Université McMaster (https://www.econtact.ca/15_3/hamilton_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC — lancement du projet à Montréal : Département de musique de l’Université Concordia (https://www.econtact.ca/15_3/concordia_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC — St. John’s : École de musique de l’Université Memorial (https://www.econtact.ca/15_3/stjohns_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC — Toronto : 10e Festival SOUNDplay (NAISA) + OCAD (https://www.econtact.ca/15_3/toronto_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC — Vancouver : Département de communications de l’Université Simon Fraser (https://www.econtact.ca/15_3/vancouver_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC — Victoria : École de musique de l’Université de Victoria (https://www.econtact.ca/15_3/victoria_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Tournée 25e anniversaire de la CEC — Winnipeg : Faculté de musique Desautels (Université du Manitoba) et Studio FLAT (https://www.econtact.ca/15_3/winnipeg_fr.html)
by CEC, Trans. Yves Charuest, in 15.3 — CEC@25: The CEC’s 25th Anniversary Tour / Les 25 ans de la CEC : Tournée 25e anniversaire de la CEC (https://www.econtact.ca/15_3/index.html) (March 2014)
Toward “Compositional Reflection” (https://www.econtact.ca/15_2/warne_reflection.html)
by Matthew Peters Warne, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Towards a Generative Electronica: A Progress Report (https://www.econtact.ca/14_4/eigenfeldt_generativeelectronica.html)
by Arne Eigenfeldt, in 14.4 — TES 2011: 5th Toronto Electroacoustic Symposium / 5e Symposium électroacoustique de Toronto (https://www.econtact.ca/14_4/index.html) (March 2013)
Towards a Taxonomy of Latin American Electroacoustic and Computer Music (https://www.econtact.ca/2_1/taxonomy.htm)
by Martín Alejandro Fumarola, in 2.1 — Amérique latine / Latin America (https://www.econtact.ca/2_1/index.html) (1999)
Towards an Unhearable Music: Conceptualism in the ookoi’s art (https://www.econtact.ca/21_2/schellinx_unhearablemusic.html)
by Harold Schellinx, in 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices / Dématérialisation de l’objet sonore : Approches conceptuelles des pratiques artistiques centrées sur le son (https://www.econtact.ca/21_2/index.html) (July 2023)
Tracing Conceptual Structures in Listener Response Studies (https://www.econtact.ca/15_2/basanta_listenerresponse.html)
by Adam Basanta, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Transcrire les musiques électroacoustiques (https://www.econtact.ca/12_4/gayou_transcrire.html)
by Évelyne Gayou, in 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (https://www.econtact.ca/12_4/index.html) (August 2010)
Transductions: Transforming light into sound (https://www.econtact.ca/19_2/parallel_transductions.html)
by Charlotte Parallel, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Tristram Cary (1925–2008) (https://www.econtact.ca/10_3/memoriam_cary.html) [In Memoriam]
by VA, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Try Looking Through Both Eyes at the Same Time (https://www.econtact.ca/5_3/gogins_botheyes.html)
by Michael Gogins, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Turning the Tables: The audience, the engineer and the virtual string orchestra (https://www.econtact.ca/18_2/mercer-vieira_audience.html)
by Chris Mercer and Rodolfo Vieira, in 18.2 — TIES 2015: 9th Toronto International Electroacoustic Symposium / 9e Symposium électroacoustique international de Toronto (https://www.econtact.ca/18_2/index.html) (April 2016)
Turntable [wiki]: Bibliography (http://cecpublic.pbworks.com/TurntableBibliography)
by CEC, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Turntable [wiki]: Index (http://cecpublic.pbworks.com/Turntable)
by CEC, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Turntable [wiki]: Performance Techniques (http://cecpublic.pbworks.com/TurntableTechniques)
by CEC, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Turntable [wiki]: Turntable in New Music (http://cecpublic.pbworks.com/TurntableWorks)
by CEC, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Twiddling and Twerking: Thoughts on electroacoustic music performance (https://www.econtact.ca/17_3/naylor_twiddling.html)
by Steven Naylor, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Two Reflections on the Relation between Machines (Computers) and Composers (https://www.econtact.ca/8_4/piche.html)
by Jean Piché, in 8.4 — Ressources éducatives / Educational Resources (https://www.econtact.ca/8_4/index.html) (September 2006)
Typology and Problematics of Fixed Notation for the Representation of Electroacoustic and Digital Media: Preamble; Part I. Waveform display notation (https://www.econtact.ca/19_3/chippewa_notation-waveform.html)
by jef chippewa, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
Un regard sur SEAMUS (https://www.econtact.ca/1_2/Seamus_fr.html)
by Stephen David Beck, Trans. Ned Bouhalassa, in 1.2 — SEAMUS: Society for Electro-Acoustic Music in the United States (https://www.econtact.ca/1_2/index.html) (1998)
Un studio d’électroacoustique à soi (https://www.econtact.ca/1_1/trudel_studio_fr.html)
by Pascale Trudel, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Una Casa de Sonidos: Sonic storytelling with Central American refugee minors (https://www.econtact.ca/17_3/mcconnell_storytelling.html)
by Blake McConnell, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Unconventional Inputs: New/old instruments, design, DIY and disability (https://www.econtact.ca/18_3/dalgleish_unconventional.html)
by Mat Dalgleish, in 18.3 — Sonic DIY: Repurposing the Creative Self / DIY sonore : adaptation du sujet créateur (https://www.econtact.ca/18_3/index.html) (December 2016)
Under Living Skies: Aural character in creative practice (https://www.econtact.ca/15_2/powell_livingskies.html)
by Eric Powell, in 15.2 — TES 2012: 6th Toronto Electroacoustic Symposium / 6e Symposium électroacoustique de Toronto (https://www.econtact.ca/15_2/index.html) (May 2013)
Une soirée de voix sur bande (ÉuCuE XVI.11) (https://www.econtact.ca/1_3/Kevin_fr.html)
by Kevin Austin, Trans. Yves Gigon, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
Unpopular Music at the End of the Universe: Burning Man as a venue for multi-channel electroacoustic music (https://www.econtact.ca/20_3/moore-smallwood_unpop.html)
by Stephan Moore and Scott Smallwood, in 20.3 — Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound / Musique pour support spécifique (https://www.econtact.ca/20_3/index.html) (January 2020)
Using High-Frequency Electroencephalogram in Visual and Auditory-Based Brain-Computer Interface Designs (https://www.econtact.ca/14_2/gupta-palaniappan_interfacedesign.html)
by Cota Navin Gupta and Ramaswamy Palaniappan, in 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (https://www.econtact.ca/14_2/index.html) (July 2012)
UTEMS Tape Library: University of Toronto, Electronic Music Studio (https://www.econtact.ca/10_x/archive_utems.html)
by Dennis Patrick, in 10.x — Projet d’archivage Concordia / The Concordia Archival Project (https://www.econtact.ca/10_x/index.html) (March 2009)
Vancouver Adapted Music Society (VAMS) — Music studio for people with disabilities; Mini-Interview with sylvi macCormac (https://www.econtact.ca/11_2/vams_maccormac.html)
by CEC, in 11.2 — Figures canadiennes 2 + TES 2008 / Canadian Figures 2 + TES 2008 (https://www.econtact.ca/11_2/index.html) (July 2009)
Various Artists — … Stimmen… Klänge (1995) (https://www.econtact.ca/1_3/StimmenCD.html) [CD]
by Jean Routhier, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
Various Artists — 2èmes rencontres internationales de jeunes compositeurs de musique acousmatique (1996) (https://www.econtact.ca/2_2/Acousmatica.htm) [CD]
by Howard Fredrics, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
Various Artists — DISContact! II (1995) (https://www.econtact.ca/5_4/asselin.html) [Commentary]
by Vivianne Padiernos Asselin, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — DISContact! II (1995) (https://www.econtact.ca/5_4/farmer.html) [Commentary]
by Evie Farmer, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — DISContact! II (1995) (https://www.econtact.ca/5_4/gratton.html) [Commentary]
by Charlaine Gratton, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — DISContact! II (1995) (https://www.econtact.ca/5_4/loveless.html) [Commentary]
by Stephanie Loveless, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — DISContact! II (1995) (https://www.econtact.ca/5_4/marceau.html) [Commentary]
by Isabelle Marceau, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — DISContact! II (1995) (https://www.econtact.ca/5_4/smalridge.html) [Commentary]
by Jason Smalridge, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — DISContact! II (1995) (https://www.econtact.ca/5_4/turner.html) [Commentary]
by Shane Turner, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — Électro Clips (1996) (https://www.econtact.ca/5_4/vincent.html) [CD]
by Michael Vincent, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — Harangue 1 (1998) (https://www.econtact.ca/1_4/Harangue.html) [CD]
by Mark A. Parlett, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
Various Artists — new music from the americas, vol. 3. “Transmutations: Music for Voice, Piano & Electronics” (1996) (https://www.econtact.ca/1_3/TransmutationsCD.html) [CD]
by Paul von Wichert, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
Various Artists — Sonic Postcards: 19 Real + Imaginary Journeys in Sound (https://www.econtact.ca/5_4/postcard.html) [CD]
by Michael Vincent, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — State of the Union 2.001 (https://www.econtact.ca/5_4/union.html) [CD]
by Digs Dorfman, in 5.4 — Electro-Clips + DISContact! III (https://www.econtact.ca/5_4/index.html) (2002–03)
Various Artists — Whose Forest? (1998) (https://www.econtact.ca/1_4/Forest.html) [CD]
by Jean-François Delannoy, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
Various Artists — Whose Forest? (1998) (https://www.econtact.ca/1_4/Forest_fr.html) [CD]
by Jean-François Delannoy, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
Various — New Music for Electronic & Recorded Media: Women in Electronic Music 1977 (1977) (https://www.econtact.ca/1_1/radford_various.html) [CD]
by Laurie Radford, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Various — New Music for Electronic & Recorded Media: Women in Electronic Music 1977 (1977) (https://www.econtact.ca/1_1/radford_various_fr.html) [CD]
by Laurie Radford, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Vector Synthesis: An investigation into sound-modulated light (https://www.econtact.ca/19_2/holzer_vectorsynthesis.html)
by Derek Holzer, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Vers une conscience d’associations (https://www.econtact.ca/1_4/Copeland_fr.html)
by Darren Copeland, Trans. Jean Piché, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
Vertex (2013–15), a collaboration of Patrick Saint-Denis and Jean Piché (https://www.econtact.ca/19_2/saintdenis_vertex.html) [Gallery]
by Patrick Saint-Denis, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Vertex (2013–15), une collaboration de Patrick Saint-Denis et Jean Piché (https://www.econtact.ca/19_2/saintdenis_vertex_fr.html) [Galerie]
by Patrick Saint-Denis, in 19.2 — Light+Sound (https://www.econtact.ca/19_2/index.html) (October 2017)
Vertex, an Approach to Performance-Installation (https://www.econtact.ca/7_4/watson-basque_vertex.html)
by Andrew Watson and Nicolas Basque, in 7.4 — Diffusion multi-canal 2 / Multi-Channel Diffusion 2 (https://www.econtact.ca/7_4/index.html) (May 2005)
Vertex, une approche à l’installation-performance (https://www.econtact.ca/7_4/watson-basque_vertex_fr.html)
by Andrew Watson and Nicolas Basque, in 7.4 — Diffusion multi-canal 2 / Multi-Channel Diffusion 2 (https://www.econtact.ca/7_4/index.html) (May 2005)
Vidéomusique : Une image-son (https://www.econtact.ca/15_4/wickmann_videomusique.html)
by Inés Wickmann, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
VIE, An Automata Sequencer: Performance and composition through metaphorical representation of living organisms (https://www.econtact.ca/16_2/he-etal_vie.html)
by Jingyin He, Jordan Hochenbaum and Ajay Kapur, in 16.2 — Sound Art and Interactivity in Singapore: SI13 and More / Art sonore et interactivité à Singapour : SI13 et autres évènements (https://www.econtact.ca/16_2/index.html) (August 2014)
Vinyl Terror & Horror (https://www.econtact.ca/14_3/vinylterrorhorror_gallery.html) [Gallery]
by Vinyl Terror & Horror, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
Virtual Agents in Live Coding: A Review of past, present and future directions (https://www.econtact.ca/21_1/xambosedo_agents.html)
by Anna Xambó Sedó, in 21.1 — Out of the Studio and Onto the Stage: Live coding, laptop ensembles and LOrks / Hors du studio et sur la scène : live coding, ensemble d’ordinateur et LOrk (https://www.econtact.ca/21_1/index.html) (May 2022)
Visual Music (https://www.econtact.ca/15_4/mcdonnell_visualmusic.html)
by Maura McDonnell, in 15.4 — Videomusic: Overview of an Emerging Art Form / Vidéomusique : Aperçu d’une pratique artistique émergente (https://www.econtact.ca/15_4/index.html) (April 2014)
Voice and Live Electronics: An historical perspective (https://www.econtact.ca/10_4/klein_livevoice.html)
by Julieanne Klein, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Voice and Live-Electronics using Remotes as Gestural Controllers (https://www.econtact.ca/10_4/nowitz_voicelive.html)
by Alex Nowitz, in 10.4 — Temps réel, improvisation et interactivité en électroacoustique / Live Electronics, Improvisation and Interactivity in Electroacoustics (https://www.econtact.ca/10_4/index.html) (October 2008)
Voice and Text Links (https://cec.sonus.ca/links/links_voice.html)
by CEC, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
VoiElectro I (https://www.econtact.ca/1_1/EAvoices1_fr.html)
by CEC, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
VoiElectro II / EA Voices II (https://www.econtact.ca/1_2/Eavoices.html)
by CEC, in 1.2 — SEAMUS: Society for Electro-Acoustic Music in the United States (https://www.econtact.ca/1_2/index.html) (1998)
VoiElectro III / EA Voices III (https://www.econtact.ca/1_3/Eavoices.html)
by CEC, in 1.3 — Voix et textes en électroacoustique / Voice and Text in Electroacoustics (https://www.econtact.ca/1_3/index.html) (1998)
VoiElectro IV / EA Voices IV (https://www.econtact.ca/1_4/Eavoices.html)
by CEC, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
Volume : la dernière frontière ? (https://www.econtact.ca/9_4/toeplitz.html)
by Kasper T. Toeplitz, in 9.4 — Perte auditive et sujets connexes / Hearing (Loss) and Related Issues (https://www.econtact.ca/9_4/index.html) (June 2007)
Waiting for an Audience: On the Misuse of a Notion Associated with Listeners (https://www.econtact.ca/10_3/rice_audience.html)
by Steven Rice, in 10.3 — TES 2007: 1st Toronto Electroacoustic Symposium / 1er Symposium électroacoustique de Toronto (https://www.econtact.ca/10_3/index.html) (May 2008)
Walking Through Sound, Walking Through Silence (https://www.econtact.ca/4_3/Fenner.html)
by Victoria Fenner, in 4.3 — Promenade sonore / Soundwalk (https://www.econtact.ca/4_3/index.html) (2001)
Wallace Berry’s Structural Processes and Electroacoustic Music: A Case study analysis of Robert Normandeau’s “Onomatopoeias” cycle (https://www.econtact.ca/13_3/woloshyn_onomatopoeias.html)
by Alexa Woloshyn, in 13.3 — TES 2010: 4th Toronto Electroacoustic Symposium / 4e Symposium électroacoustique de Toronto (https://www.econtact.ca/13_3/index.html) (June 2011)
Wende Bartley — Claire-Voie (1994) (https://www.econtact.ca/1_1/mccartney_bartley.html) [CD]
by Andra McCartney, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Wende Bartley — Claire-Voie (1994) (https://www.econtact.ca/1_1/mccartney_bartley_fr.html) [CD]
by Andra McCartney, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
What Is Ambisonics and How Can I Get Some? (https://www.econtact.ca/2_4/Ambisonics.htm)
by Joseph Anderson, in 2.4 — Diffusion multicanal 1 / Multi-Channel Diffusion 1 (https://www.econtact.ca/2_4/index.html) (1999)
What Matters? Make the Music! (https://www.econtact.ca/17_3/oliveros_music.html) [Keynote]
by Pauline Oliveros, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
What You See Is What You Hear: Using visual communication processes to categorize various manifestations of music notation (https://www.econtact.ca/19_3/fischer_communication.html)
by Christian Fischer, in 19.3 — Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l’électroacoustique et les médias numériques : représentation visuelle, communication et transmission (https://www.econtact.ca/19_3/index.html) (January 2018)
What’s Wanted Next? (https://www.econtact.ca/6_3/handelman_whatnext.html)
by Eliot Handelman, in 6.3 — Questions en électroacoustique / Issues in Electroacoustics (https://www.econtact.ca/6_3/index.html) (2003–04)
Where Water Meets… (https://www.econtact.ca/1_1/mccartney_water.html)
by Andra McCartney, in 1.1 — Femmes en électroacoustique 1 / Women in Electroacoustics 1 (https://www.econtact.ca/1_1/index.html) (March 1998)
Who Owns our Software?: A first-person case study (https://www.econtact.ca/11_3/puckette_ownership.html)
by Miller Puckette, in 11.3 — Logiciels audio « open source » / Open Source for Audio Application (https://www.econtact.ca/11_3/index.html) (September 2009)
Why do you want so many Loudspeakers? (https://www.econtact.ca/8_3/austin.html)
by Kevin Austin, in 8.3 — Harvest Moon et autres festivals, conférences / Harvest Moon and Other Festivals, Conferences (https://www.econtact.ca/8_3/index.html) (June 2006)
Wie ist der Klang? [How is the sound?]: An Historical overview of Harald Bode’s instruments (https://www.econtact.ca/13_4/abocab_bode_instruments.html)
by Caspar Abocab, in 13.4 — Harald Bode (https://www.econtact.ca/13_4/index.html) (July 2011)
Without Beginning, Middle or End: Transforming sounds in motion (https://www.econtact.ca/5_3/eagle_transforming.html)
by David Eagle, in 5.3 — NAISA: New Adventures in Sound Art (https://www.econtact.ca/5_3/index.html) (2002–03)
Women Composers and Music Technology in the United States: Crossing the Line (Elizabeth Hinkle-Turner) (https://www.econtact.ca/8_2/reviews.html) [Book]
by Elizabeth Hinkle-Turner, in 8.2 — Femmes en électroacoustique 3 / Women in Electroacoustics 3 (https://www.econtact.ca/8_2/index.html) (March 2006)
Women in Music Technology in Higher Education in the UK (https://www.econtact.ca/3_3/WomenMusicTech.htm)
by Lisa Whistlecroft, in 3.3 — Femmes en électroacoustique 2 / Women in Electroacoustics 2 (https://www.econtact.ca/3_3/index.html) (2000)
Workshops at Body Controlled #4 — Bio Interfacing (https://www.econtact.ca/14_3/trethewey_bodycontrolled4.html) [Report]
by Kristin Trethewey, in 14.3 — Turntablism (https://www.econtact.ca/14_3/index.html) (January 2013)
World Soundscape Project — L’environnement sonore de Vancouver (1997) (https://www.econtact.ca/1_4/Moore_fr.html) [CD]
by Adrian J. Moore, Trans. Yves Gigon, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
World Soundscape Project — The Vancouver Soundscape (1997) (https://www.econtact.ca/1_4/Moore.html) [CD]
by Adrian J. Moore, in 1.4 — Écologie acoustique / Acoustic Ecology (https://www.econtact.ca/1_4/index.html) (1998)
Worlds Collide: Utilizing animated notation in live electronic music (https://www.econtact.ca/17_3/fischer_notation.html)
by Christian Fischer, in 17.3 — TIES 2014: 8th Toronto International Electroacoustic Symposium / 8e Symposium électroacoustique international de Toronto (https://www.econtact.ca/17_3/index.html) (September 2015)
Y a-t-il un son québécois? (https://www.econtact.ca/6_2/dhomont_sonquebecois.html)
by Francis Dhomont, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
Yves Daoust — Musiques naïves (1998) (https://www.econtact.ca/6_2/sutton_daoust.html) [CD]
by Timothy Sutton, in 6.2 — Activités électroacoustiques au Québec / Electroacoustic Activities in Quebec (https://www.econtact.ca/6_2/index.html) (2003–04)
Zoetrope (1999) (https://www.econtact.ca/2_2/zoetrope.htm)
by Joseph Hyde, in 2.2 — SAN: Sonic Arts Network (https://www.econtact.ca/2_2/index.html) (1999)
Есенска месецина [Esenscka Mesechina] (Autumn Moon) (https://www.econtact.ca/7_2/sazdov_autumnmoon.html)
by Robert Sazdov, in 7.2 — Harvest Moon Symposium 2004 (https://www.econtact.ca/7_2/index.html) (December 2004)
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